Category Archives: In the pottery

First cabbage of the cool season.

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We have just harvested the first cabbage and first broccoli of the autumn. I planted a range of brassica seeds on boxing day. The first batch were all dug out by the blackbirds, so when I re-planted the 2nd sowing, some time later. I also covered the bed with bird netting to stop a repeat of the blackbirds scratching out the seeds. Blackbirds don’t want the seeds, they just like to scratch into freshly worked and composted soil looking for worms. This little hiccup set me back a few weeks, so our first cabbage is a bit late arriving.

I have now repaired all the melted sections of the plastic netting over the vegetable garden. Almost total replacement at both ends that were worst hit by the fire, then applying patches to the large holes in the other walls, and finally stitching together the small 50mm to 100mm holes that are scattered all over the enclosure walls and roof. I purchased a commercial size roll of 100metres by 10 metres of netting over 30 years ago to cover the vineyard at harvest time. The netting that is over the veggie garden now is all that is left over from that time. It had a 10 years warranty against going brittle with the ultra violet light. So I’m very pleased that it has lasted so long. However, it is getting very brittle and the galvanised steel netting is all rusted through in places. So a total rebuild is in order, but I’m not too sure that I can manage that big a job these days, or if it would even be wise to attempt it at my age, having just turned 73, I shouldn’t be up and down ladders for days on end.

I made an Australian version of oka-nomiyaki pancake. Of course it is not really an okonomiyaki, as I don’t have mountain-potato starch, or almost any other authentic Japanese ingredients, but I do the best that I can with what I have. The super-fresh garden ripe cabbage makes it really fresh, crisp and delicious. The broccoli goes into a veggie stir fry along with all the other garden delights of the current season and some tofu for protein. Vegetable gardening, which mostly involves a lot of weeding, mowing and watering, suddenly becomes so worthwhile when you are harvesting such beautiful produce each afternoon, freshly picked ready for dinner. Our food has carbon metres, not miles!

I have also planted another 4 different varieties of seed garlic in the garden, just to see if any of therm are well adapted to grow here in the future.

In the pottery, I have been throwing some sericite porcelain stone bodies. This stuff is so short that I have to make the wall bases thick to hold the form up. That then means a lot of turning to get the pot thinner again. This weird stuff tears and rips as the turning tool cuts into it – unless it is turned quite firm and almost dry. But then there is the dust to contend with, so I like to do it while it is still a bit damp, but then it chips a lot. It becomes a two stage process. Roughing out the mass of extra thickness, drying some more, then final turning. I get to do a lot of slaking and re-cycling of turnings.

I have built an extra-large tray for my shimpo, but with this porcelain, I still fill it very quickly. This image is of the trimmings from just 15 small 150mm. bowls.

It all goes into the mixer pug and is recycled, ready for throwing again the next day, although leaving it to age a little bit and ‘recover’ would be even better, but because I use a dozen different mixtures and recipes, it is easy to loose track, with too many small packs of different clays hanging around. So I prefer to use up each batch all in one go as soon as possible.

The tyre on the old wheel barrow went flat last week. I took it to the tyre place to get a patch or a new inner tube, but they told me that the tyre wasn’t worth working on and I’d need a new tyre and a new inner tube – at a cost of $78! As the old metal rim is quite rusty, I decided that I might just as well buy a whole new wheel unit from the big hardware chain for $32! But then I remembered that I had a complete wheel off a buggered trolly that I picked up off the side of the road on council clean-up day. It is 25mm smaller in dia. but still holds air pressure well, so I had to change the shaft size and make some new brackets to hold it on, out of scrap tin plate. 20 mins later we are all back in business and good to go. It’s not perfect, but it works. Recycle, reuse, repurpose!

The Japanese have a word ‘Mottainai’ – too good to waste!

A botched up job that will keep all of this useful material out of the waste stream and land fill for another decade. I actually picked this whole wheel barrow up off the side of the road in the village some years ago on Council clean-up day, when the owner decided that it was just junk, because the tyre was flat. I took it home and just pumped it up. It worked! And has been working hard here for all those years of reprieve since then – and now still continues to be useful. Waste averted, Mottainai!

Nothing is ever finished, nothing is perfect and nothing lasts.

First firing of new portable wood fired kiln design

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I’ve just completed the first firing in the new version of the small portable  wood fired kiln that I have built for a friend.

This kiln is a little bit different from the ones that I used to build for a living before the fire.

In this case, I’m building it as a favour for an old friend. To repay an old debt. No money is changing hands.

I’m also using up a lot of old refractory bricks and fibre that I had in stock before the fire, and which subsequently got burnt, but were largely unaffected by the fire, as they are ‘refractory’ after all. They are scorched black in places and impregnated with a lot of soot and carbon, where the cardboard packaging burnt off.

I’m confident that they will be fine. This first test firing will burn off all the carbon and return them to pristine white, albeit with a little bit of flashing and wood ash decoration.

The purpose of the test firing is to make sure that the kiln will get to stoneware temperature easily, just like all the others that I used to build. In this current kiln, I have made changes that allowed me to use up a lot of the left over materials, this makes the kiln just a little bit different in dimensions, so testing is required. 

I sharpened my designers pencil and had a good long think about how I could use up what I had to the best advantage, and still have much the same outcome. As the old saying goes. There is more than one way to skin a cat. Who’d want to skin a cat anyway! weird! Anyway, this kiln looks pretty much the same as all the others, superficially at least, but all the critical dimensions are kept in the same relationship, so it ought to work OK.

I started by redesigning how I cut the frame out from the standard 2440 x 1220 mm sheets of Stainless steel. I thought it through and started from the out side measurements of the sheets and worked back inwards. In this way, I was able to use every last millimetre of the material, with minimal leftover off-cuts. I am still using the same 450 x 450 size kiln shelf as the setting and the height is still more or less 450 mm high in the setting. Only I can see where the changes are, and I’ve done a work-around so that it doesn’t matter or affect the outcome too much. Or, at least that is what I thought, hence the need for a test firing. I’m actually a little bit pleased with myself, if I do say so myself.

I hate wasting precious material like stainless steel. Of course, I always managed to use up all the off-cuts from the previous kilns in subtle ways, right down to making throwing tools out of the smallest little pieces. So no more stainless steel throwing tools for sale or give-aways anymore.

This cunning use of everything made me re-design the handles, reinforcing angle brackets and support lugs etc that I have on the kiln. They don’t look so different, but still do their job effectively.

All the bricks look a bit ‘dirty’ but are brand new. These are the equivalent of RI 23 insulating refractories. Good for firing to stoneware in fast firings. They are not very suitable for long, high temperature firings, as they would shrink a bit. but not so in this fast firing kiln.

I made some more ceramic buttons to keep the fibre in place. I also made a new stainless steel grate from old burnt stainless steel rod that was in the pottery when it burnt down. It looks a bit rusty, but it would look very black and rusty after the first firing anyway.

The test firing went very well. I got it up to 1300 in just over 3 hours and 15 mins. I used 2 wheel barrow loads of wood to get it up to temperature.

Just a few skerricks of wood left at the end of the firing. A lucky guess !

A nice resolution for an example of necessity being the mother of invention. This new design variation will be my new standard design.

If I ever make another one!

Good thing that I don’t have many friends 🙂

Nothing is ever finished, nothing is perfect and nothing lasts.

Autumn is here

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It’s March and autumn is supposed to be here, but it has been delayed by Global Heating! We are having some of the hottest recorded days for this time of year. We are used to the long ‘Indian Summer’ season transition, but this is the heat that we used to expect in the middle of summer.

The cherry trees have lost all their leaves. They are the first to bud-up in the spring and the first to drop their leaves in Autumn.

March is the month to plant garlic. The small cloves that we missed picking 6 months ago have shot up in the places where we left them invisibly underground. Their tender, slim, green aromatic shoots are a very good sign that it’s time for garlic to grow again. They have decided!  I planted 5 rows of our own, best-of-crop, home-grown garlic, the largest knobs from last year. 

I planted about 15 cloves to a row, that’s about 70 plants, if they all do well. I left a gap, for a place to stand while weeding the crop as will be necessary several times over the next 6 months. 

Then I planted 4 rows of commercially grown varieties of seed garlic. This year I’m growing ‘Rojo de Castro’ ‘Dynamite’ and ‘Spanish Roja’. Just to see if they will do well or even better than what we already have.

I left another walking gap for weeding and watering, then another 3 more rows of other bought seed garlic varieties. ‘Dunganski’, and ‘Festival’. Our very good friend Anne, organised a bulk purchase for a few of us in the ‘seed-savers’ group. I’m always interested in trying something new. Thank you Anne!

I always plant the best of last years harvest, whatever variety(ies) that is, very often a mix of what grows best here over the decades. All self selected, simply by growing well with large easy to peel large cloves. These new varieties all have a red, or pinkish hue, simply because I like the look of them when hung up in the kitchen drying and waiting to be used.

Whatever does well and grows best will be added to our localised crop for the following season. Life goes on. All the same as before, but with small changes and additions and hopefully improvements.

In the pottery I have been collecting, crushing and ball milling a few new local rocks for testing as glaze material.

As soon as the heat subsides, I’ll be firing the small portable wood fired kiln, filled with test bodies and glazes, to prepare for the firing of the big wood kiln over the winter months.

After the ‘big-pot’ throwing Summer Schools that we held here over January and February. I had about 80 kgs of the special course grained/textured clay left over. So I decided, rather than store it away somewhere, I would be better off to use it up making a few big jars for myself. I have always liked the traditional Korean ‘Moon Jars’, so I decided to have a go at making a few Korean inspired big round jars. They are NOT Moon jars, but my interpretation of the big, round, pale glazed form.

Janine decorated some of them for me using her carved/sgraffito through slip technique.

I have continued planting brassicas since Xmas day, when I planted the first seeds. I have planted 8 to 10 plants of mixed types each month to ensure a continuing crop of cauliflowers, broccoli, cabbage, Brussel sprouts and kohlrabi through out the autumn/winter.

I noticed today that the first broccoli head is forming on one of the first plantings.

I have to grow them under protective netting for the first few weeks to a month, to stop the black birds and bowerbirds from digging them out and eating the tops off them. The vegetable garden was completely covered in a mix of galvanised and plastic netting. But in the catastrophic bush fires of 2019 the heat of the fire melted the plastic netting on the west and east faces. All the birds were burnt in that fire, so there was no immediate need to repair the netting. EVERYTHING else was so much more important, like rebuilding. 

Now the birds are recovering and breeding up in numbers, coming back into our area. They have figured out that they can squeeze in through the gaps in the melted areas. So I have booked a friend to come and help me next week to get up on our tall step ladders and re-cover the burnt out sections with new netting. A big job that in the past I would have thought nothing of doing by myself with the occasional helping hand from Janine in the difficult areas, pushing up from underneath with a broom to get an even cover. Luckily, a very nice couple donated a huge amount of plastic bird netting from their farm, when they took down their orchard cover and moved into a smaller holding. We are very happy to use this re-cycled netting, both galvanised and plastic. Nothing wasted. Recycle, re-use, re-purpose.I may be old and stupid, but still just smart enough to know that I don’t want to do this job all by myself anymore. It’s just one of those endless series of jobs that we have to tackle everyday to keep on living here in this self-reliant, low-carbon, organic, minimal consumerist muddle.

Nothing is ever finished, nothing is perfect and nothing lasts!

3rd Summer School completed, Feb 2025

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We have just completed the 3rd of our Jan/Feb summer school series. Just 1 to go, starting on Friday.

We have had 3 great classes with a bunch of wonderfully talented and enthusiastic students – as they all-ways are every time. It’s such a privilege to be able to work like this, passing on what we have learnt over our lifetime, to enthusiastic potters, keen to learn the techniques that we have accumulated during our careers, and to sample a bit of what we do here. Between us, Janine, Leonard and I have notched up a total of about 150 years of ceramic practice and experience.

The last of the wild poppies are in their final fling of exuberant and cheerful rich red colour. These ones have come up, self sown, wild, in the cracks in the paving around the pottery.

Even though everything is more of less completed around the pottery, it still takes us a day to set the studio up for a workshop, prep all the clay, clean the batts and pot boards etc, then do some cooking to share for our joint lunches. Afterwards, there is a day to recycle the abandoned pots, crushed and soaked in the left over throwing slip, and wash everything down. The next day, I transferred all the re-cycled clay slip/slop/slurry from the 20 litre buckets into the plaster batts in the clay room to stiffen-up for re-pugging. 

I have 5 big plaster tubs/batts on a shelf in front of the huge north-facing window in the clay room, they get baking hot in the sun and are almost always very dry and receptive to stiffen up our recycled clay slip/slop/slurry. 

However, 30 litres of fairly thin slurry does set them back a bit in the drying stakes.

Today I dug out all the very soft plastic mass, in its slightly stiffened, but still very wet plastic state and piled it up in lumps on the pugging table to air dry. Once the plaster is saturated, it keeps the clay damp, so best to get it out and get it air drying. This has proved tot be the fastest way to deal with so much slurry. I also need the plaster tubs dry again for Friday’s next onslaught of failed experiments from the last 3-day summer school.

Everything will be in order by the time the next class starts tomorrow.

After the cleaning I baked another loaf of bread and cooked a potato dauphinoise for dinner finishing it off with a whole camembert sliced on top. The garden is revelling in all this warm weather and occasional storms. The self-sown tomatoes are small but prolific. I found the time in the evenings to make my first batch of tomato, garlic, capsicum and basil passata. 10 litres of sliced tomatoes boiled down in their own juice and then reduced by half to concentrate the flavour.

The bread turned out well – as usual. I’ve got it nailed now. Success every time. but I’m still trying variations, and different brands of flour. I’ve ended up with a 50/50 blend of wheat and organic stone ground rye flours.

There are so many vegetables coming from the garden in summer, we give a lot away, and do a lot of preserving. We also eat as much as we can. 

Nina and I worked together to make a sort of Greek inspired moussaka dish. I did the tomato/meat sauce and Nina did the béchamel topping. Working together made it so much quicker. Everything from the garden, egg plants, zucchinis, garlic and last years passata.

It was so nice on a cool rainy evening, we’ll be doing it again.

We are continuing to cube and roast pumpkin with olive oil, garlic and a sprinkle of salt. Everything is working, we are well, although quite tired from the intensity of the work load with the workshops, added to the summer harvest work, which can’t be put off or delayed. After next weekend’s workshop, I might try and make some cider from the apple and pear crop that is peaking at the moment.

Is there a pot of gold at the end of the rainbow, in the new pottery? Hit by the end of the amazing double rainbow. I rushed down there to check it out. I went to the decorating cupboard where I keep all the pure gold leaf for use in kintsugi. But no pot of gold!

I could swear that I had a full fresh book of gold leaf in there, but NO! all gone.

I think that we got the wrong end of the rainbow. It sucked up all my gold and dropped it over the rainbow, somewhere else. Possibly in Kansas?

Bummer!

January in the Garden, Orchards and Pottery

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We have been very busy with our summer schools since the beginning of January. I originally advertised one Summer School to teach the making of larger forms on the potters wheel by ‘top-hatting’ and ‘coil-&-throw’ techniques.  We got such a massive response to my add that we could program 4 summer schools of 3 days each, and lined them up with a few days in-between. Two in January and two more in February. We only have 8 potters wheels in our workshop, and we got over 30 replies so I had to run 4 schools and space them out.

Top-hatting is a technique of placing one thrown form on top of another to make a larger pot than you might otherwise be able to throw in one piece. It can involve the stacking of multiple forms to gain extra height. Coil and Throw technique involves throwing a substantial base for the pot and then adding a coil of clay to the top and throwing that coil up to become the wall of the pot, extending the height. This technique can be repeated several times to make a taller pot.

We got such a massive response to my add that we could program 4 summer schools of 3 days each, and lined them up with a few days in-between. 2 in January and 2 more in February. As we only have 8 potters wheels in our workshop, and we got over 30 replies, that meant staging 4 consecutive schools. 

I made up some clay specially designed for big pot throwing by joining techniques, slightly softer than usual and with added ‘tooth’ and ‘grit’ for structure and good drying and firing of the larger forms. I originally made 400kgs of clay, thinking that it would be sufficient for the 4 workshops, but I was way out in my estimations. The first two workshops used up nearly all of my stash, so I was back in the clay making shed the next day to make up another 400kgs for the next two in February. I like the clay to get a little age on it to improve its work-ability, 3 months would be good, 3 years even better, but needs as needs must. One month in this case will have to be enough.

Clay develops its plasticity by the intimate mixing of water molecules in-between the infinitesimally small clay particles. The best way to achieve this is to make a ‘slip’. A very watery mixture of clay and water, to get the water into, and in-between the clay crystals, which in their purest form are flat and hexagonal shapes. It takes a very long time for the water to penetrate the ‘pack of cards’ structure of the clay particles and individually flake off the crystals one at a time to get that intimate mixing of clay and water that is required to appreciate the very best potential of any particular clay.

I don’t have that luxury of time in this instance, so I am using powdered clay material that I bought in, in 25kg paper bags. I’m using a mixture of all Australian clays from Victoria, NSW and Qld. to get a good blend of the required properties that I need. It’s getting very difficult to buy Australian raw minerals and clays these days, as the multi-national mineral companies have bought up most of the clay mines and shut them down, forcing us to buy their imported products from overseas. We are not short of clay here, but we have been locked out of access to our own resources. Welcome to the future!

I mix the various minerals together in an old recycled bakery dough mixer. I have owned this machine for over 40 years. It has gone through 2 fires and been rebuilt each time. Luckily, it is very well made, mostly of cast iron frame, but the fabricated steel sheet bowl was very badly split and warped after the last fire and needed a lot of work to re build it, and get it back into action. see my blog post from 4/6/21  “Our Old Twice Burnt Dough Mixer Proves to be a ‘Phoenix’ mixer”.  I use a blend of recycled clay slip and the new powders to get the best outcome that I can from this compromise of speed, quality and efficiency. 

I use a few tricks of the trade to get the best possible result out of my available materials. I use water from the dam and rain water from the old pottery shed water tank that is full of gum leaves that creates a very useful tannic acid water that is ideal for making clay. It is a transparent pale grey and has a very low pH so that when mixed with white kaolin, it attaches to the clay particles and flocculates the clay mass, which settles tightly in the bucket leaving only crystal clear water on top. It is also ‘live’ as it has all sorts of microscopic organic matter and bacteria in there, which helps age the clay. City water that is full of chlorine is pretty much sterile and kills off any live matter that may help the clay mature and become more plastic and workable.

I have a ‘snorkel’ fitted to a fan in the wall that sucks all the fine dust out of the clay mixer room to keep me safe while I’m working in there, but I also wear protective gear as well. Afterwards, once the clay is all wetted, ‘plastic’ and ‘pugged’ into sausages. I cut all the ends off the stacked pugs and re-pug it all again to make sure that there is a consistent mix of all the 3 different batches of clay represented in each bag of finished clay body.

It is bagged and stacked to ‘age’ and the floor is wet mopped twice to collect all the clay dust off the floor and make the work space clean and safe again.

In the garden, we are picking the last of the blueberries, the first of the egg plants, and we are mid season for zucchinis. The tomatoes are coming on quite strong now and we have started to make our first batches of tomato passata for the summer. Every meal from now on will be some sort of variation of ratatouille in all its various forms. What else can we do when the garden is full to bursting with tomatoes, aubergines, zucchinis and basil? We try and give away as much as we can, but everyone in the village has an excess of tomatoes and zucchinis at this time of year.

Our breakfasts and deserts are mostly of fruit these days. November brings on the berries, December is the month of cherries and apricots, January for plums and peaches, February is all about apples and March for the last of the pears.

4th summer school announced

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We have filled 3 summer school workshops of three days each, learning coil and throw, plus top-hatting techniques. It’s a kind of hybrid combination of of hand building on the wheel.

I have 4 more names on my waiting list, for a 4th workshop during the 2nd week of February, 7th, 8th and 9th of Feb.

If you are interested, there a still 4 places left. Please let us know if you are interested.

If we can get 8 names on the list, then we will run the 4th workshop. Then that will be it for the year as far as coil and throw technique is concerned. In March or April, we may do throwing flatware, dishes, plates and platters. Then possibly a glaze workshop concentrating locally sourced and collected stones, gravels and ashes.

Summer School Throwing Workshop Jan 6th to 8th – FULL

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The second workshop on the 11th to the 13th of January is also now FULL

I have started a new waiting list for a third workshop for sometime early in February, yet to be determined. I already have 3 names, but need 8 to run the course.

Janine, Len Smith and I will be offering a 3 day throwing workshop over the summer break. Jan 6th to 8th.

We will be teaching throwing techniques for beginners and intermediate level, aimed at making larger forms.

This is NOT a Masterclass for advanced throwers. This workshop is aimed at beginner to intermediate level.

You will need to be able to center clay on the wheel, from there on we will help you make some larger forms, demonstrating exercises to give you confidence to tackle slightly larger projects. Progressing from whatever your current level of skill is.

I will be demonstrating a series of techniques such as top hatting and coil and throw building techniques. 

We will also be demonstrating construction techniques, assembling your thrown sections together to build slightly more complex or larger pieces. We will help you work at your own pace to gain confidence and increase the complexity of your forms, or the height and scale of your pots, as you choose.

The workshop runs for three days from 10 till 4pm on Monday 6th of January to Wednesday 8th of January.

Clay is provided, you will need to bring your throwing tools and lots of batts, a dozen or more. If you own an electrical heat gun, you can bring it along with your tools.

Tea and coffee are provided, please bring something to share for lunch.

Numbers are Limited, as we only have 8 wheels in the studio. First in best dressed.

Cost $375 for three days. Enrollment is confirmed after payment is made.

Bookings <hotnsticky@ozemail.com.au>

ACA Open Studio Weekend

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This weekend is the Australian Ceramics Association, Open Studios.

We will be open from 10 to 4 each day. 

I have been continuing to work over the past few weeks. In particular, I have been doing some ‘kintsugi’ gold repair on a few of my pots with interesting cracks. 

Some 23 carat gold really lifts a slightly damaged pot.

I have also found time to make the weekly loaf of rye bread, and a tray of rock cakes to share with our visitors over the weekend.

Wood kiln firing unpacked and fettled

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I have just unpacked my latest wood kiln firing, just in time for the next 3 Open Studio sales weekends.

There are mixed results, as to be expected, but less seconds than usual. So that’s good.

I’m finally getting the hang of this new kiln and its pre-burnt wood fuel.

I always want to do better, and I keep trying, but I’m happy with what I’ve got. No complaints.

Something about the journey being more important than the destination really..

I tried 10 new clay body recipes. Blending sericite with kaolin based bodies to improve workability. Also some darker bodies.

full moon through clouds

I’ve been experimenting with ash glazes

Ash ‘jun’ glaze, with a light sprinkling of natural ash deposit crystals from the wood firing.

All the pots are now cleaned and fettled, 3 days work in all that, and hopefully nothing to show for it – if I’ve done it well!

Arts Trail – Open Studio 2024

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We will be part of the Southern Highlands Arts Trail – Open Studios on the 2nd, 3rd and 4th weekends in November.

I’m back from my work in Korea and I hit the ground running. All the seeds and seedlings that I planted in late August, just before I left for Korea, were all burnt off in the severe frost event that swept through here in early September. However, all the over-wintering vegetables like peas, broad beans, asparagus and the brassicas are all thriving. So that is what we are eating at every meal these days. 



Because we only eat what we grow, our diet tends to go in long stretches of similar meals, we vary the actual mix for variety but I’ll be glad when the first of the summer crops comes on. That is always zucchini, they are so fast out of the starting blocks, along with radishes. 

However, I know that I’ll be glad to see the last of the ratatouille based summer meals and we can taste that first cauliflower again as the seasons come around. I think that it is a universal human failing to want what you don’t have. No matter how many cabbages I grow, I still hanker for a banana or a pine apple every now and then.

At the moment, I am just loving the smell of the tomato foliage as I brush past it when weeding. The smell of tomato leaves offers such promise of fresh salads and the long hot days of summer to come. 

The more established spring flowers in the flower beds around the pottery were not affected by the frost, and have gone on to bloom there little buds off. Its very cheerful and uplifting to look out the studio window and see a vista of spring blooms.

After the frost. Janine went out and bought some more early seedlings to get a bit of a head start for the summer garden, and now that I’m back, I spent all of my first few days planting seeds, weeding, mulching and mowing to get the place ready for the Open Studios Arts Trail, that is being held on ther last 3 weekwnds of November. But also to guarantee our summer food supply security.IMG_0869.jpegIMG_0871.jpegIMG_0872.jpeg

Janine transplanted some wild self-sown spinach seedlings, but they didn’t all take. I filled in the gaps inbetween with some extra seeds. The vegetable garden is looking good again with all the red poppies in flower now. The bees are going full speed ahead. Their little yellow saddle bags are full and bulgeing with pollen.

We already had a lot of pots made for the open studio sale before I left for Korea, but there was also a lot of bisque ware that I had prepared for a wood kiln firing, but I just couldn’t fit it in before I had to leave. So now that I’m back I have glazed all that work and packed the wood kiln.

13 hours to 1300. I think that I have finally found to best way to burn my pre-burnt and charred dead forest of kiln fuel timber.

The citrus grove is in full bloom and you can smell the fragrance of the citrus flowers from the pottery, if the wind is in the right direction. 

We will be open for three weekends in November, 9th/10th and 16th/17th. for the Southern Highlands Arts Trail then the ACA Open Studios, Ceramics Arts Trail that is happening Nationally on the 4th weekend of the 23rd and 24th of Nov. 

Keep us in mind and call in if you can. We have some lovely work to show you.