Reducing our carbon footprint still further

In our attempt to reduce our carbon footprint to as low as possible without having to reduce ourselves to living in a cave. We want to engage with the modern world, but only to the extent that we can cope with. For instance, we have virtually no presence on social media. 

As our latest attempt to get out of the fossil fuel industry web of complex energy solutions. We have recently purchased an electric stove, so the old LP gas stove has been retired to the pottery for the odd occasion when I have to cook for a lot of people over there.

The new stove now completes our conversion to a fully PV powered solar electric home. It’s a good feeling to cook on sunshine, either fresh off the roof during the day, or stored in our battery for use at night. The pottery kilns are either solar electric or wood fired using trees from our own forest. Our car is run almost exclusively on PV sunshine, and now the house is fully electric. However, we have retained the wood fired slow combustion kitchen range, as it heats the hot water for the house in winter when there is not so much less sunshine for the solar hot water panels. It cooks all the winter meals, and warms the house to boot. In summer when the temperature is too hot to want to light the fuel stove, that’s when the electric range comes into play.

The stove has a conventional electric oven, but it has a modern induction cook top, coupled with the right induction compatible metal based copper pans it is lightning quick to heat up and cooks beautifully. There will be a bit of a learning curve for us to digest the 50 pages of instructions.

Digital cooking is a new concept for us. We end up pressing a lot of buttons with our digits to make it work.

The new stove sits very comfortably alongside the very old steampunk wood stove that we bought 2nd hand 45 years ago.

So far I’ve experimented with baking a loaf of rye bread, couldn’t tell the difference. 

A pan forte cake, witch was just as delicious as it always was in the old stove, no change there, just cleaner air in the house and no fossil carbon released.

I also tried winter vegetable quiche. All good with no problems. I’m happy.

After the long weekend Open Studio Sale

As soon as the Pop-Up long weekend Open Studio sale was over, we got busy tackling the next big urgent job.

That job is dealing with the cracking and spalling of the big sandstone blocks that we used to make the retaining wall behind the pottery.

I knew when I bought them that they were rejects. I naively thought that they were cheap because they were split in an irregular way and not square, but tapered. That didn’t worry me, as I could arrange them so that they had a reasonably flat and square face outwards. I could hide the unevenness in behind the grave back-fill.

However, as it has transpired, the real problem with them, and the reason for them being very cheap, is that they are not hard sandstone, but rather soft and sugary.

Bummer! 

Over the past 3 years that they have been sitting there year in, year out, through the rain storms and winter frosts, they have begun to spall. Water soaks in to the porous stone and when the frosts come and the ice expands, bits of the face split off. Recently we noticed that the blocks were beginning to split down the centre, not just the face and edges. This is serious stuff. If not dealt with immediately, the stones will start to loose their stability.

I decided that the best approach would be to cap the stones with some sort of waterproofing system. We had a load of old roofing slates stacked away under the railway station. They came off the roof of my brothers house before it was demolished many years ago. We always intended to use them as floor tiles, but never did. So we have plenty of these old weathered slates. We needed to get them out from under the floor and give them a good scrape and clean, then a good scrub and a wash to get all the grunge of history off them, so that we could get the cement to stick securely. 

We spent 2 half days fettling and washing the slates. A cold, wet job for the first of winter after a cracking good frost.

I took the truck down to the sand and gravel yard each day to pick up half a tonne of sand and 7 bags of cement each day for the 3 days that it took us to get the job done. We employed a young, local guy to give us a hand, as we are getting too old for this kind of heavy work on our own these days.

Using our very old ‘wabi-sabi’ Steam-Punk cement mixer that we bought 2nd hand for $50, 35 years ago. We mixed 14 loads a day and got through 1  1/2 tonnes of sand and 20 bags of cement to render a 70mm thick bed of mortar over the stones to get a continuous straight level, thick enough to be water proof and strong enough to cap the stones and support the slate capping.

Time will tell if this has worked well enough to deter any further spalling. I did notice that there was enough embedded heat energy in the stones, such that after the frost melted in the morning, the slates were very soon dry, except where the edge extends over the stonewall to create a clear drip line. The extended slate stayed wet, frozen and cold.

We still have a lot of paving to do, but everything in its own time. This job was an absolute priority now that winter is here and the frosts are back.

VALE Alistair Whyte

Vale Alistair Whyte.

Alistair Whyte passed away peacefully on Monday 5th June, after a long illness.

Alistair Whyte was unique among Australian Artist Potters for his exceptional early life experiences and long and thorough training/education in ceramics.

Alistair initially studied at Bendigo Institute of Technology/TAFE and then spent 5 years in Japan studying at the famous Kyoto University of Arts, followed by a two year stint in the workshop of renown Kyoto porcelain potter Katsuno Hirokuni in Kyoto.

This must be the most thorough education and vocational training of an Australian porcelain potter that I have ever encountered.

I first became aware of Alistair’s work back in the mid 80’s. I was amazed at his technical ability with porcelain. I was interested in discovering something about porcelain myself, as I had been making a few experiments mixing Australian local raw materials, but with no specific training and no one to mentor me in this regard, I was making very slow progress. So it was very exciting to see such sophisticated work suddenly appear here in the Sydney galleries.

Later, I got to meet Alistair in person, when he travelled up to Mittagong to Sturt Workshops. Alistair came out to find us here in remote Balmoral Village were no one ever comes, unless they are lost. We found that we had certain interests in common and have kept in touch, initially via letter, and then email ever since.

Alistair made exceptionally delicate and fine translucent porcelain. He developed skills that most of us mere mortals only dream of. Over the years we managed to meet up half a dozen times and exchanged bags of aged porcelain clay bodies and also swapped pieces of our work.

He is survived by his wife and daughters. He will be sadly missed by those lucky enough to have met him.

It will be a very long time before we see porcelain work of such sophistication and delicacy made here by an Australian.

Alistair managed to complete a book on porcelain making before he passed away. It will be published posthumously.

Sincerely

Steve

3 Things that I learnt today

The first thing that I learnt was actually last night.

I tried roasting Brussel Sprouts in with the roast instead of steaming them first and then sautéing them in olive oil with a little garlic, salt and pepper.

They were sensational roasted. Soft and creamy inside, but a little bit crispy and crunchy-charred outside. So fantastic! It made my day! Maybe I need to get out more?

As winter is a time for roast dinners, I’ll be doing this again.. This months experience of roast beef was a very petite 250 gram roast. After cooking and cut in half we had just over 100 g each. Just the right amount to insure that we have some red meat, just in case it is good for us. But not too much just in case it isn’t!

The other thing is that I am really enjoying learning to decorate with colours and lustres.

I feel Like I’m a first year pottery student channeling Janna Ferris. Only without her talent, insight, skills and years of experience.

But I have to start somewhere. This is very ‘somewhere’ for me at this stage in my life.

I’m very happy with these tiny ‘shot’ glasses. 50mm dia x 75mm high.

The last thing is that native worrigal greens (native spinach) makes a wonderful spinach and 3 cheeses pie.

I already knew that but just thought that I’d throw it in.

They are so good I made 2. 

We will need some handy, ready-made lunches for the weekend Open Studio Arts Trail sale days.

So really, there was just one new thing that I learnt today. But it was so good, that it felt like three!

Arts Trail. Open Studio Sale

As the Open Studio Sale Weekend draws closer, we have been working hard to get all the pots fired in time.

This past week we have done several firings in 4 different kilns, 2 solar fired electric kilns, and 2 of the wood kilns, big and small.

I have been following on with my inclination to develop a decorative image that illustrates the remarkable change in my state of mind.

One day, a few weeks ago, after completlng my EMDR therapy, I was busy at my decorating table, painting some of my bowls, when something remarkable happened.

I was painting the stylised bush fire flames motif that I had developed and have been working on for some time. The sort of gestural image that crops up in my dreams. When I suddenly realised that over the few recent pots that I had been working on. The image had subtilely changed from an improvised flame image, slowly but surely, to an image of garden flowers.

I had started painting an English cottage garden scene!

I was somewhat surprised to say the least. I was also very happy to see such beautiful and reassuring scenes becoming reality as I worked, in front of my eyes. Something in my head had changed irrevocably, and for the better.

I feel so much better these days. More relaxed, and I have a sudden burst of creative energy. I’m painting furiously and firing one or the other of the 2 solar PV fired electric kilns every day.

I’m so pleased to show these new pots and decorative images in the Open Studio weekend sale next weekend. 10, 11 & 12th of June.

The initial home-made cobalt goshu pigment and gold lustre design.

The beautiful floral image that developed out of the flames.

And then the English Cottage Garden design that emerged.

All these pots and others in a similar vein will be for sale in the studio this coming weekend, plus our usual wood fired kitchenware pots.

We will have tea, coffee and cake here on the day to share while we chat with you.

See you soon.