Have Wheel, Will Barrow

Now that the wheel barrow is back up and running again, and I have some time again. I get around to planting the new avocado tree.

We have an avocado tree. We have had it growing in the yard between the cherry orchard and the hazel nut grove. It’s been growing well for the past 40 years and usually has a good crop of avocados each winter. We pick about half a dozen or so each week. It has to be done at least a week in advance of when you want to eat them, as they take 7 to 10 days to finish ripening up after picking.

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The tree has grown quite large over the years, so we now need a step-ladder and  extendable, long-handled, pruning secateurs to reach up to the top to get at them. We get out there, Janine underneath where we think that the fruit will land. I get up close to it with the long secateurs. When fully extended, this gadget gets to fruit up to 6 metres high and is quite unwieldy to handle up above your head with arms outstretched. I cut the stem and Janine catches the fruit in a towel that she has stretched between her arms, like a fireman blanket. It works quite well – usually. Unless the avocado hits a branch on the way down and spins off at a tangent.

We have been eating avocados for the past couple of months now and there are still plenty up there in the upper branches. Because they don’t ripen until they are picked. It’s the best fruit tree that we have. We can decide when we want to eat the fruit at our convenience. We have had an unseen avocado last up in the dizzying heights of the upper branches for 5 months and suddenly dropping off in December.

I learnt a few years ago that avocados are self fertile. BUT, you get a better fruit set if there are other different varieties close at hand. Avocados come in two families. Type A and B. It is best if you have one of each. So I decided to buy another tree. We currently have a variety called ‘bacon’ which is the cool hardy one. Hence it has survived the snow fall and the deep frosts of the early years. However, now with global warming and reduced frosts here, it seems to be doing very well. I don’t know how long avocados live, but 40 years is a good effort for a fruit tree growing at the very edge of its range, and lets face it, they are a tropical fruit. So we have been very lucky as well as industrious.

When I went to buy the second tree, it soon became apparent that you can’t just go out and buy an avocado tree these days in Australia. The fruit is so damn popular (and expensive) that people are planting vast orchards of them and the growers are flat-out keeping up with the demand. Selling thousands at a time to commercial plantations. I had to put my name down with a few growers, then wait a year for the chance to pick up one of the left-overs from large orders.

One year on and we now have 5 more trees. Making a balance of early and late fruiters and a balance of 3 of each type A and type B varieties. This latest tree, that was delivery last week, has been harden off by the back door, next to the water tank. It is now ready to plant. This one is a small-sized tree, only expected to grow to 2.5 to 3 metres, and is a bit frost tender. Depending on how big it grows, I’m hoping to be able to keep it protected for the first few years.

It gets a big, wide hole excavated for it and this is then filled with a mixture of old rotted manure and compost into the soil. Avacados are rich feeders. It also gets a steel mesh tree guard up to 1 metre high to stop the kangaroos from eating it in the first few weeks. The kangaroos took the top clean out of another tree that I planted on its first night, before I got the tree guard in place. They love to try anything new.

Some of the earlier trees that I planted in the autumn are now just about to burst their new buds into spring growth. They seem like they are growing very well.

If all goes well. In the future we might expect an avocado season of over 6 months.




I shrink-wrap the wire frame to protect the tender little thing for the next month, until the cold winds blow them selves out and spring starts proper.

Platform Heal

We bought the old Balmoral Village Railway Station building to save it from demolition back in the 70’s. The local ‘Loopline’ train line had been closed to passenger trains and all passenger services were replaced by a bus service. The line was still open to the odd freight train, or it was used as an alternate line to the main line if there was a derailment on the main line, which actually happened in 1978.

For a whole day and night we got all the Sydney to Melbourne train traffic off the main line diverted along our old loopline tracks. We got to see the Sydney to Melbourne Inter-capital Daylight Express and the Southern Aurora rumbling along past our house at 20 kms hr. on our old, little used, light gauge tracks.

We live on this old and now closed line. It was originally the main line south for about 50 years. It came through here in about 1864 and was replaced by the new main line in about 1916. The old line through here is now just a ‘loop’ off the new line.

The original line was difficult for some of the older steam engines, as the gradient was very steep. Digging cuttings through the hard rock of these steep hills was time-consuming and expensive. There is an extremely deep cutting just up the road from here. I was told that it was the deepest railway cutting in the Southern Hemisphere when it was built. This cutting allows the line up through a difficult part of the terrain to the next village that was originally called ‘Big Hill’.

Our village was, at the time, a place to keep and maintain an extra steam engine. When the Sydney train arrived here. The spare locomotive was hitched on to the train and used to pull the carriages up this steepest part of the line. Even so, it was a very slow and difficult job to get the train up the big hill.

There is an old story, and I can’t vouch for its truth, about a bush ranger stepping up onto the very slow-moving train at the front and robbing everyone on the train as he walked down through the carriages, and then hopping off again, not too far from where he got on!

There were originally 7 stations along this part of the original train line, now the ‘loop’. We live right in the centre of the loopline. As we are half way between the two ends of the loop. It was decided that a School would be built at the half way point to service all the children of the track ‘fettlers’ and engine maintenance men that were stationed here.

The school was opened in 1893 and operated full-time until the line was relocated to the new route in 1919 and the population started to decline, as the railway men and their families slowly moved away. The school then operated as a part-time school for a few more years, and then closed. It reopened during the Second World War as a part time school, sharing a teacher between here and the now named village of Hill Top, higher up the line. The school closed permanently at the end of the war. The station remained open until the line was closed to passenger traffic.

Once the line was closed to passenger traffic and the bus service instigated. It was decided to tender all the stations along the line for demolition. The first station to be offered up to tender for demolition was Hill Top station, next door. We heard on the grape-vine, that the only bidder just wanted the tin off the roof to build a chook shed, so only offered $2, won the bid, took the iron off and burnt the building down to comply with the clause that stated “remove to ground level”.

When the Balmoral Village station came up for tender next, we were keen to see it preserved and not destroyed, so we bid the ridiculous price of $250 to make sure that we would win and could preserve it. $250 was about half the cost of the wood to build a new one. We won of course. No-one in their right mind would pay that much for what amounted to a little old wooden shed.  A very old wooden shed indeed. It is thought to have been installed in 1864 or there-abouts, when the line opened. Making it the oldest building in the village. We thought it worth saving.

We measured it up and built footings to suit, then hired a crane and low-loader. We picked it up and drove it home to the school in one piece. Then lifted it into place. It was the biggest job that I have ever attempted and it all went like clockwork. It turned out to be the least troublesome thing that I have done. However, I did spend a lot of time planning, preparing and choreographing it.

Once we realised that we now owned all (both) of the public buildings in the village and there is no water works to buy. We could put a motel on Pall Mall and charge all passers-by to pay $200 dollars to pass ‘GO’!

Instead, we decided to sand blast off all the old flaky paint when we sand blasted the old School classroom. We had hired all the equipment for the weekend and had some spare time and ‘shot’ left on the Sunday evening, so we cleaned it back. I bought undercoat and we made some top coat our selves. We bought a one gallon tin of pale yellow oil based gloss top coat, then added an equal amount of turps mixed with mica and talc dust 200# that we had in the pottery for making our glazes. This gave us 2 gallons of paint. This rock dust saturated oil paint is still as good as new today. No drying out or flaking off. The stone particles guarantee that there will be no UV penetration. The little weatherboard waiting room is still in good shape. Well the paint job is anyway.

Interestingly, we noticed that after we cleaned and painted the waiting room. The train line fettlers that passed along the line each few days, saw the station building in its new location and new clothes and waved to us and we waved back. They saw that we thought that the building had some historical merit and was worth saving and restoring.

After that no more stations were offered for demolition. All the others have now been restored and painted creamy yellow! Personal activism does work sometimes.

Well that was 40 years ago, and the poor old wooden sleepers on the platform have been weathering away. I have no idea how old they are. Not 153 years I shouldn’t think. I’m sure that they are not original. Perhaps they were replaced in the 60’s when there was a derailment at the station when a goods carriage came off the line and ploughed into the end of the station destroying the Ticket Office building. Perhaps the original sleepers on the platform were replaced when the platform was repaired?

They are sill in good shape where they are under cover of the verandah, but the exposed ends are rotting away. We have our wet weather clothes line under the verandah and Janine has stopped using it because she feels that it is too unsafe.

I take a day ‘off’ and go down to the timber yard and buy new ‘treated’ sleepers. I slowly remove each of the old sleepers a few at a time, and replace them with the new ones. It all goes pretty much to plane and is finished by the end of the day. However, I still have to put up the new guttering.

Everything goes to plan, except that I drop one of the old heavy hardwood sleepers on my recently damaged and recovering finger, which splits it open again.

No good turn ever goes un punished. I’ve healed the platform, I now have to wait for my hand to re-heal.

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Heath Cullen House Concert

We hosted a house concert last week for Heath Cullen. A great favourite of ours. He is a lovely person and a very good musician. Every one seems pleased with the concert. We had our lounge room in the Old School Building packed to chockers with 38 people in the house. We were very pleased with the turn-up. Everyone brought a plate to share and there was, as there often is, way too much food to eat on the night and we had to ask our friends to take much of the left-overs back with them, as we have all the food that we need in our vegetable garden. We want for little.

Live music is such a pleasure. Especially with someone like Heath, who has so much talent and has so much to offer. We asked everyone to arrive by 6.30 for a 7.oopm start. Heath was here at 5 to set up and we ended up re-arranging the chairs to suit his personal choice of performance space, We had an early dinner with him and a few friends who helped us to clean out the house and set up the chairs.

We had two 45 min sets of songs with a half hour break in-between, which got a bit stretched with everyone eating , drinking and talking animatedly with each other. After the show, half of our guests stayed on the chat and the night ended going on till quite late, with Heath leaving about 11.00pm.

A thoroughly enjoyable event and night. We will be doing it again in a few months with another musician that we like. I’m keen to have Lucie Thorne here some time. Check out her web site. <luciethorne.com>. ‘The Age’ newspaper reviewer, had this to say about Lucie.

“Thorne writes some of the most simple and beautiful songs you will hear” **** The Age.

Heath is keen to come back again next year. And we’re keen to have him here.

His three  CD’s have been on regular play all this week.


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Check out Heath’s web site;  <heathcullen.com>

A realy nice person, a great performer, lovely music, good company, intimate space and our solid brick, old class room, has excellent acoustics. What more could you want ?

No Rest in Paradise

The hot weather is here now and we are out in the garden early to get the jobs done before the heat sets in. We’ve had some 30 oC+ days recently. we pick cherries and the early peaches, and lucky that we did as a thunderstorm comes through in the afternoon. All dry thunder at first but then it breaks, and boy does it break. We are pelted with hail stones that pile up on the lawn and against fences and wall. the rain floods in over the verandah. We are safe inside the house, but there are some new leaks in our old 123 year old roof. I’ll have to get up there again tomorrow and see what I can do, but not now.


can see the leaves being shredded from the trees in the garden. I can only imagine what is happening to the tomatoes and other soft vegetables in the garden. The chooks will be OK. They will be hiding in their house, very scarred I’m sure, but physically OK. It’s a good thing that we harvested the two boxes of early peaches this morning!

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In the evening we sit and peel peaches for preserving, shelling dried peas and milling dried broad beans down into broad bean flour to make falafel. I also grind down some of last years sun-dried corn niblets into polenta flour. There is always something to do. I might even find some time to watch the idiot box if there were anything on, but there isn’t. So I don’t. The pressure is off on this new big kiln, as the work is well under way and back on schedule, as I have a new welder.

We have delivered all our work for the Xmas shows in the Sydney Galleries as our open studio weekends are over. The tea pot sets are taped up and ready for packing up for delivery. We exhibit our joint domestic wares as King and Co. This is to separate this work from my tea bowls that I show in my own name at Watters Gallery. The opening at Watters went well and I seem to have sold 4 out of the 8  ‘kintsugi’ gold repaired bowls that I took in for the show.

I have found time again to practice my Cello. Its been locked in its case for some time now. We also find some time each morning to work over the garden beds before it gets too hot. We get them planted out with new seeds for the summer. This should have been done a month or two ago, but we have only now just found the time. I haven’t had any spare time since I got busy in August, followed by my research trip to Korea and so on.

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We have harvested the garlic and onions to make room in some of the garden beds. The garlic is a bit disappointing this year, but the onions are fantastic. They have all done well, red, white and brown.

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They all need to be spread out and dried, before plaiting and hanging.
I stole this little piece of text below from one of Janine’s emails to one of our friends. Speaking of our chooks and the garden. I think that it sums up our time here just now.

Our ‘spice girls’ who we realise only come to us because there might be food for them. Otherwise they scour our block and so do we (looking for them) so cunning Mr Fox doesn’t have them for dinner.
Thankfully the days are a little cooler, for a little while. Summer is no longer my favourite season. But cherries and peaches are sweet, ripe and we eat our way through the ones we save from the birds – with all manner of nets, wires pegs and stalking.
There is no rest in paradise!

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It’s time to have some more different sorts of fun. Roll on summer!

Open Studio Sale

I’m up at the crack of dawn. I told myself to wake up at the first sign of light at the window last night . I realise that I’m awake and look to the window and there is the light starting to show through the edges of the curtain. I’m up and showered, dressed and out in the car just on 6 am. I want  to get all the pottery open-day signs up at the village and along the road. I start on the main road, just opposite the level crossing into the village. I’m not attempting to snag any unsuspecting passing weekend travellers out here in the middle of no-where. People who are on a mission to somewhere else. No! That takes more signs than this and more warning time. If I were aiming to get the attention of random passing weekender traffic, I’d start the signs way back at the previous village, kilometres back, and put up several signs all along the way. Warning that there are only 5kms to go to the pottery, then 3 and 2 and 1. Then Finally, turn here for pottery at the crossing. But not today.
We are open as part of the Southern Highlands Arts Festival, Open Studios, Arts Trail. There has been plenty of advertising in all the usual forms. So today I am only aiming to direct the people who are looking for us using the excellent fold out map that has been widely distributed  both in hard copy and electronically. This is a case of courtesy directions. I still have a lot to do today. We are never really completely ready for these things. There is always so much to do, we could easily go on for weeks cleaning up. We live in a kind of organised chaos, where we plan lots of things and make lists. We even make lists of the lists. But then something happens and we have to change plans to fix the problem. Everything else slips off the list until this urgent thing, whatever it is, gets done. We kind of lurch from crisis to crisis in a semi-ordered fashion.
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We are still sorting the last few boxes of pots and final pricing when the first of the early visitors arrive. I still have a few pots that need to have their bases ground, a few more things to sort out. I flip a piece of filter cloth over the pile of boxes and welcome our guests. The weekend has started. We are busy all day with only a couple of short breaks when there is no one in the pottery. A time to try and snatch some lunch, but then another car arrives. We manage to get to eat our lunch in stages, taking turns. It’s pretty constantly busy. Last year was our best year ever on the Arts Trail. It was the tenth year. This 11th year is shaping up pretty well so far. I notice that the ‘kintsugi’ pots repaired with gold are pretty popular. Possibly because they are the same price and all the others, even though they sport a bit of bling. They are repaired ‘2nds’ after-all, Pots that have been repaired and upgraded or enhanced back to a 1st grade status through a lot of time, effort and skill. Plus the addition of real 24 carat gold! So it’s hard to charge more for them, even though they represent a lot of extra work.
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I’ve noticed over the years that my better pieces, which tend to be more expensive, don’t sell very well from here at the studio. This is how galleries earn their living. It’s their job to know people with fine taste and specific knowledge about certain works. Some of these aesthetes are also well healed, so can afford to have developed fine taste. Others go without food to pay for their art ‘habit’. It takes all kinds. So this pottery open studio sale is just that. A chance to get to look inside a working potters studio and see what we make and how we do it. I spend a bit of time throughout the day showing visitors around the workshop and kiln shed. Explaining the processes that we use and how it differs from the norm. I have a serried rank of rock crushers and grinders, culminating in a large ball mill and drying bed area. This is necessary, because all my exhibition work is made, not from clay, like all other potters, but from ground up stones, gravels and ashes that I collect locally and process on site here. Added to this that all our work is wood fired. It gives the work a particular look and feel.
What we make isn’t unique, but it does have a particular character.
After all, they are just bowls, cups and plates!

Open Studio

The Southern highlands Arts Festival is upon us, and so are the Open Studio Weekends  are starting this next weekend of the 5th and 6th of November and followed on the next weekend of the 12th and 13th.
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We have the kiln unpacked and re-packed and ready to fire in 5 days. This is only possible because I had all the pots made and bisque fired before I left to go to do my research in Korea. All we have to do now is glaze them and make sure that they are well dried before packing them into the kiln. I have learnt from experience that if I pack my thick felspathic glazes wet. They can just fall off from the outside of the pots. Especially from the underside of bowls.
It has been too hot and dry to fire for the past 2 days, so today has been forecast to be overcast and showery. I wake at 4.00am, just like clockwork. I amaze myself that  I can do this, but it just happens. I read an article in ‘NewScientist’ magazine recently about our brains ability to track time accurately, even when supposedly asleep. The article maintained that only part of our brain sleeps. A lot of it stays well awake, and is a very good time-keeper. I know this as a fact for me and my brain, but I can’t speak for others. I thought that I had taught myself to do this as an art student. Waking up every two hours to turn up the gas pressure on the kiln. I could wake up just a minute or two before the alarm went off. I didn’t like the alarm, so I taught myself to pre-empt it by a minute or so to avoid its harsh reality. Apparently, I’m not at all special. Loads of people can do this with no effort. It’s apparently quite normal. Ho-hum! There goes my last claim to be able to do something ‘special’.
We have the wood all cut and dried, up in the wood shed, we have all the pots bisque fired and stacked in the pottery. All the stones have been ground up and powdered. All the ashes have been dry sieved and bagged. All the glazes are made up and tested. Nothing can go wrong now!
 The firing proceeds well, very well. Just as it ought to after 48 years of learning. Starting in the quiet at 4.00 am and firing through into the night. I like the quiet of the very early morning. I can get a few minor things done while I’m confined here, once the kindling stage is over and I start to put big logs into the main firebox. I can steal a few minutes at a time to clean up my work bench and grind the bottoms of the pots that we just unpacked from the last firing. The Lovely  wakes up with the light and brings me down some breakfast and a pot of freshly plunged coffee. We have fruit salad and marmalade from the pantry to put on our toast. It’s a nice quiet time together.
In the middle of the day I’m well into the reduction cycle and using quite large, heavy logs, that can burn for 40 to 50 mins. This gives me time to do other jobs that demand a bit more attention. I decide to repair the coffee cup from the last firing that caught a falling piece of kiln brick. I spend a bit of time on it, grinding and polishing the brick fragment away to nothing, then polishing the remnants of the glazed rim back to a fine finish. I decide that since I’ve spent so much time on it. I will keep it for myself to use in the kitchen. I decide to do some Japanese inspired ‘kintsugi’ repair on it. Janine takes over while I concentrate.
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I rebuild the surface back to its original profile and then finish it with some 24 carat gold. This of course takes me several days, just a few minutes at a time, whenever I can fit it in. I do a batch of ‘less-than-perfect’ pots from the last firing. They all turn out OK. They are still ‘2nds’, but seconds that have been shown a bit of attention and care. Their ‘flawed’ surfaces turned to a thing of beauty, with some time, love and respect. Just as we do for each other. We shine when we are loved. These pots now glow in a simple honest way.
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For some reason, I can’t help but think of dentistry!


Best wishes

Be Prepared

I realise that I’m awake and I’m not going to get back to sleep. It’s 4.00 am and we are all ready to fire the kiln today. I usually wake up at about this time on firing days. It’s a habit that I have got into. I like to start early. I love the quiet of the early morning. It’s beautiful. There is a very special time. Just a half hour, when the birds start to wake up and so does the sun in response to their chippering and calling. They have very fine senses. They are awake and calling when it is still dark. I can’t tell the difference with my old worn out eyes. but they know and call out to tell each other. They summon the sun.

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We packed the kiln yesterday and bricked up the door with our home-made fire brick blocks. It’s a big door for easy access for packing, so we needed some large blocks to speed up the door bricking-up process. Making our own firebrick is just one of the many things that we do to live this life of self-reliance. The sun was loosing its heat as drove up to the wood yard and loaded the truck with both pine and stringybark logs. We are all finished before the evening dusk falls. The truck sits in the dark and is slowly revealed this early morning as the sun comes around the curve and slowly illuminates the house and orchard in the distance.
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We have a new wood shed now, so all the pine is stacked and ready to load, dry and seasoned. Such luxury! it’s only taken us 40 years to get this small convenience built. There is always so much to do. We have lists! Even lists of lists. But ultimately, it’s a case of the squeaky wheel getting the oil. But now the time is here for a kiln wood, wood shed and it’s a beauty. We’ve had a wood shed for the house wood, particularly for the kitchen stove timber. We couldn’t function here in this self-reliant way without one. That was a very squeaky wheel and got built after only 10 years here. This masterpiece of re-cycling cost next to nothing, being made out of the old wooden tank stand and old roofing iron that we were given. It’s only taken us 40 years to get around to it!
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We are officially into the bushfire season now, so there are fire restrictions in place. Luckily for us today, it is overcast and there are showers forecast. It has just started to rain gently, but just a brief shower. I don’t even bother to cover the pine on the truck. Last night I called the fire captain to tell him that we were going to fire the kiln. It’s a polite notification. We have been here 40 years doing this with no problems so far. That is largely because we are very careful. During the spring, we pack the kiln and wait for a suitable day to fire. A day like this is excellent. Cool, overcast and with this brief shower of rain, it couldn’t be better for firing. The safest of conditions. If it were very hot and windy, we wouldn’t light the kiln. We’d just pack it and leave it full and wait for a break in the weather.
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When Janine gets up, she brings me breakfast by the kiln. We eat all our meals during the day down in the kiln shed. We get a visit from the chooks, who call in to see what going on. We fire through into the night. It’s a civilised, steady, easy firing process. With all the wood already cut, split and seasoned in advance. This prepared wood that we are burning, is work that we did months ago in preparation for this moment. To make our lives easier now. We make decisions and make preparations for the future in this way so that we can keep on working, and living this life into our older years.
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We finish the firing at night, on the same day that we started. Packing and firing the kiln is an intense couple of days. We celebrate the end of the firing with a bottle of bubbly. I cook pasta for dinner. It’s quick and simple, using all our own home-grown ingredients, preserved tomato pasta sauce, our own garlic, our dried tomatoes and dried mushrooms. It’s just like our firing, everything prepared in advance to make this moment of creation easier.
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Best wishes
from the well prepared Steve and Janine, working towards the up-coming Southern Highlands Arts Trail, Open Studio weekends. We will be open on the first two weekends of November.