Growing Old Together

Potting, throwing, making clay, kiln packing, kiln firing, kiln unpacking, more wood cutting splitting and stacking, gardening, weeding, pruning, composting. It’s been a busy couple of weeks.

Recently we have been doing something different everyday. There is always the garden and the pottery, then the house and land maintenance, but we are also doing weekend workshops over the winter months. We have just completed the 4th weekend in a row, only nine more to go, with a possible tenth.

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We started off the week in the pottery making pots. It’s always fun to get in there and let a few days slip by un-noticed in the joy of making. Clay is such a tactile and responsive medium. I’ve started to make some white tenmoku bowls out of my native bai-tunze porcelain stone. I also make a pot-board full of stoneware bowls and another of blended kaolin/stone based porcelain body. I finish up by making a board of Black ware tenmoku bowls. I plan to fire these unglazed in the wood kiln so that they will come out jet black. I think that this contrast of matt black and glossy white will work out well together. It’s just an idea. I’ll have to see how it goes. It’s starting out looking OK.

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The kiln that I welded up last week is back from the galvanisers already. A 7 day turn around! unheard off!. What has gone wrong? It usually takes these buggers at least 2 weeks and more, usually 3 or 4. I’ve even waited 6 weeks for one of my jobs to get through their process. Still, it’s back here now and I’m very pleased, it takes the pressure off. I drove up to Sydney on Monday morning to collect it – to make sure that it was done. I have spent an hour or two each morning this past week grinding, etching, sanding, filing, priming, undercoating, and finally two coats of top coat will go on the inside to make sure that it is really well rust proofed inside for years into the future.

The customer has no idea what has gone on inside this kiln frame. It’s all covered over in Stainless steel, but I know that it is the best way to insure that this kiln will last a working life time and more. I don’t have to do it. I decide to do it, because it’s the right thing to do. No one will ever know, but I know. I build them as if I was going to own it myself. I want it to last for 20, 30 or maybe 40 trouble-free years.

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I know that this effort will be rewarded. I have some kilns out there in Universities and TAFE colleges that are fired on a regular basis, every week and have been now for almost 30 years. I know their history and I also know that they have had only minimal maintenance issues over that time. I’m proud of that. If I buy something, I want it to last, all my life if necessary, with no built-in obsolescence. I want it to work perfectly, for as long as possible, and then to only need minimal attention.  Something like the replacement of the thermocouple or temperature meter. This is my aim, and I’m all-in to go for it as best I can. It’s the product that I want to own!

Another little wood fired raku/midfire portable wood kiln rolls of the production line. This one fitted with all-terrain 200 mm. tyres, for wheeling over wet lawn and/or soft gravel.

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I started weeding the last of the tomatoes from the summer garden and made a huge couple of heaps of compost of all the weeds and old tomato and spinach plants. At this time of year, the Worrigal greens (tetragonis) seem to spread everywhere. It’s a native plant that is something like spinach, but growing prostrate, and spreading wildly. It seeds prolifically at this time of year and there will be numerous seedlings appearing in the spring.

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The garlic that I planted in March is all up now, early, mid-season and late varieties. All seem to be doing well. I also planted bush peas and broad beans on either side to accompany them and to fix a little nitrogen as well, while they are at it. We’ll see how the rest of the year pans out, and if the rainfall continues.

One plant that has thrived in all this rain has been the avocado tree. We have a bumper crop this year, hundreds! We’ll eat what the hail, birds and possum don’t ruin.

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We had such a sustained hail storm last Saturday week. During one of our wood firings. The hail on the tin roof was so loud that I went and put on my industrial ear muffs! One of the potters measured the decibels with her phone app at 89 decibels. That’s as loud as my chain saw, according to the warning sticker! The hail continued and lapsed, then returned 3 times in all during the afternoon and evening. It will have made a mess of the avocados. However the vegetable garden is entirely under cover of both chook wire and small mesh plastic netting now, so I was able to look out of the kiln shed window and watch the hail bounce off the fine plastic netting. After the storm, I wandered out for a quick look, there was no noticeable damage to any of the vegetables. That netting was such an exertion of time, money and effort, but it was worth it in every way. This is part of the pay-back now. All those vegetables saved from a shredding from the hail.

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In the evenings, early mornings, or whenever I can fit it in throughout the day, I manage to find a little time to play my cello. It’s a beautiful thing. It’s changing over time as the wood ages and settles in.

We are growing older together, Nina, me and this cello, the difference between us being that it’s the cello that is getting better with age !

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Fond regards

Pau Harrison

A world tour of our garden, in 3 meals.

Breakfast, Lunch and Dinner, a world tour of our garden, in 3 meals.

Gardening is a very enjoyable activity. It gets us out into the fresh air, it’s good exercise and It provides most of all we eat each day. As the autumn progresses towards winter, the cooler weather encourages us to seek out more warming cooked meals. We indulge ourselves in reflecting on the people and places that inhabit our collective memories. Our conversations trigger memories of these people and places. Fond recollections of some past events and friends remembered through pots and food. We don’t attempt to make Italian, Spanish, Japanese or any other type of national cuisine. We make Australian food. Real food, home-grown, eaten fresh where possible, but when preserved, we do it without any added chemicals or preservatives. Preserved in glass jars, not plastic. and all home cooked. We just take the influences that we recall and weave them into our dietary choices, them combine our thoughts with what we actually have available to us from the garden.

This is what happened yesterday, in between, potting, gardening, wood cutting, kiln building and building maintenence. There is time for everything, in its own time.

For breakfast I cooked eggs in passata with a few cloves of garlic warmed in good olive oil first.  The passata I used on this occasion was made from little yellow, pear-shaped tomatoes that I preserved a couple of months ago, at the height of summer. The passata is heated up and the eggs cracked in and covered to gently simmer until the whites are firm. I served it up on a piece of rye sour dough toast.

I must say that it was just right for a cool, misty, foggy, morning breakfast. A little cracked pepper makes it perfect.

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We don’t quite lick the plates, but there is certainly nothing left.

For lunch I made and hotch potch from the left over baked vegetables that Nona Nina made for last nights dinner. Brussel sprouts, parsnip, leeks, carrots, pumpkin, onions, zucchini and beetroot. We had that garnished with preserved spicy plum sauce from our summer orchard fruit.

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These left-overs were added to some chorizo sausage, our garlic, olives and home-made dried tomatoes from the summer excess. A lovely way to use up everything that we have in different and interesting combinations. We haven’t bought any meat since Xmas as far as I can recall. We aren’t vegetarians, but we don’t eat a lot of meat. So this is our little indulgence, veggie hot-pot with chorizo. Hot, spicy and nicely warming.

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For dinner we decided to have Gyoza. I had previously bought 500g of lean pork and asked the butcher to mince it for me. I divided it into 4 parts and froze 3 of them for later. The 125g of pork mince is just the right amount to make gyoza for two. We fry the pork with lots of garlic in olive oil and some finely diced garden veggies. Then Ninako fills the small parcels with the mixture and I simmer and steam them in a sauce made from the last of the small red and yellow tomatoes from the garden, a few beans and some chillies. When this is reduced down, it makes a delicious simmer sauce.

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It all mellows out very nicely. 7 each is just the right number of gyoza dumplings for one hungry potter. This sauce, although not culturally authentic, is very well matched to what we are enjoying, and most importantly it is entirely ours, from our garden. This is our Australian ‘gyoza’ influenced local dumpling experience. I’ll have another go at it some time in the future, and I’m sure to enjoy that too. Nothing is ever finished, nothing is perfect and nothing lasts. This meal certainly didn’t!

It’s such an indulgence to tour the world of our recollections with such wholesome and tasty food, and almost entirely from our own produce.

We are very lucky people and I am grateful.

I have arranged to donate one of my recent bowls from my Watters Gallery exhibition to the fund-raiser appeal for the Nepalese victims of the recent earthquake. The pot will be auctioned soon. Please see below;

I believe you will have heard about the recent devastating earthquake in Nepal.

With the help of Vicki Grima, The Journal of Australian Ceramics editor, I am organising a fundraising project called CLAY FOR NEPAL (#clayfornepal15) to raise funds for the Nepalese people affected.

The first part of the project is an AUCTION of ceramics from around the world.

In conjunction with the AUCTION, Adriana Christianson, has offered to help me organise a BUY NOW STORE offering more affordable items for immediate purchase.

Both events will be happening from Friday 15 to Sunday 17 May 2015.

AUCTION: www.stores.ebay.com.au/clayfornepal

BUY NOW STORE: www.clayfornepal.bigcartel.com

PREVIEW of available works for both events here

Thank you for your support,

Vipoo Srivilasa

contact :

AUCTION: vipoo@vipoo.com

BUY NOW STORE: mail@adrianachristianson.com

All funds collected, less any event expenses (eBay and Paypal fees), will be donated to Oxfam, Nepal Earthquake Relief Appeal.

Vipoo Srivilasa is authorised by Oxfam Australia to collect funds for the benefit of Oxfam.

Vipoo is a very nice and thoughtful bloke who has taken on this endeavour of his own volition. It’s a credit to him and I am proud to be associated with the enterprise. Janine and I have donated cash through the Red Cross, but this is a way that we can do more, by doing what we do best. Which is making beautiful, thoughtful, meaningful objects.

 Best wishes

from

Stevbu and Ninako, gardeners of local produce and international flavours.

Home Made Chainsaw Saw Mill

Over the past few weeks I have had over 500 hits on my article on self reliance including a little bit about milling my own timber. So I thought that seeing there is so much interest in building a home made saw mill attachment for a chain saw, I ought to put up a post with some more detailed explanation, including a few dimensions and some images to help explain what I did.

It’s pretty basic unit made out of scrap steel sections that I just happened to have laying about on the day, but it works really well for what I need it to do and that is to turn logs that are too good to burn, into usable milled planks. I haven’t studied this kind of gadget at all. This is my first attempt at building one. It seems to work OK, so i haven’t got around to making another one or changing it. If I was to, I would perhaps add a bit of rubber tube over the upright centre handle, just for comfort.

Since I moved here, I have built my own house and pottery building. We made all our own floor boards and made all the windows and french doors. I also made all of the kitchen furniture to go into it, chairs, tables stools etc.

All you seem to need is a few basic tools, an inquisitive mind, some perseverance and a bit of spare time to figure things out. The saw is an old (15 years) Husqvarna  371 60 cc. and the milling bar is about 900 mm. long. The effective cut is about 600 mm.

So here are a few pictures with measurements chalked onto the bench.

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It’s The Season For Wild Passata

Another on-going job besides kiln maintenance at this time of year, is keeping up with the tomato crop as it slowly sprawls and proliferates all across the garden beds and over the lawn and down the pathways. They keep on flowering and producing loads of ever-smaller compact, flavoursome, little zingers. full of intense tomato flavour, but very small. These little beauties take a long, back-bending, time to pick. There is no easy way. I’ve tried kneeling and I’ve tried bending, but the problem is that there are so few places to put your feet, when the plants spread all over the place. I’m always aware of not crushing the fruit or the plant stems, which set down adventitious roots all along the way to feed and nourish the ever-expanding crop. It takes a long time, as there are so many of them, but it’s worth it. It doesn’t take too long to fill the first box.

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I don’t get all of them, there are just too many, but I fill the basket. it’s enough. We can do this every few days at this time of year, and do. Batch after batch, we slowly fill the pantry cupboard shelves. After cleaning and washing the tomatoes, I simmer them down in the evenings when we light the stove. I make them into tomato passata, some times just straight tomatoes if I’m pressed for time, but on other evenings, when I can make the extra time. I brown our own onions in good EV olive oil and then add garlic, capsicums and basil with the tomatoes. It makes a richer flavour, but the extra fibre takes a lot longer to pass through the mouli sieve. Sometimes it’s just a batch of the prolific little yellow tomatoes, they don’t have the same level of acidity in them, so the piquancy is somewhat less, but they are still worth the effort. A more usual batch is a mix of all of the above. It just depends on what there is the most of on the day. Every batch is slightly different and makes for a natural variety throughout the coming year.

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After sieving out the skins and seeds, the sauce is placed back on the stove to be reduced and concentrated a bit more, by about a third. This intensifies the flavour considerably. I try to make enough passata to last the whole year, so that we don’t have to buy any later on. This has been the case for a long time now. I haven’t needed to buy any pasta sauce for some years. This is one of the few things that we have been completely successful at achieving during our long experiment here. Self-reliance in passata!

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For dinner this night, I bake some carrots, zucchini and aubergines, fresh from the garden and serve it with a helping of tuna steamed with fresh Thai basil leaves, wasabi and a squeeze of lemon. While the oven is hot I use the heat to dry some of the small tomatoes. After an evening when we have guests and make a dozen pizzas. I use the remaining heat to dry a few trays of tomatoes. Dried tomatoes are great, full of concentrated sweet acid flavour. They keep really well without any extra energy needing to be applied. We use them in stews and soups and where-ever we need that little extra hit of added flavour.

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Indulging myself in this kind of self-produced and preserved, essential larder-filling activity is one of the reasons that I came here, to a place like this, miles away from services, where there was clean air and a lot of space to live out an imagined ideal. It takes a few hours a day of extra work and then occupies our evenings after dinner at the stove, but what could be better and more rewarding? I could of course be sitting, watching some brain-dead and fake commercial television show about how the cook?

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It seems to have worked out OK for us. We have managed to earn a living from various and diverse means, all more or less associated with pottery making. We have tried making and selling pots, ceramic tiles, making and selling clay to other potters, building kilns, writing books, doing weekend workshops and part-time teaching. None have proved to be sufficient in their own right, but all combined together, has provided us with a self-reliant, if unreliable income through most of the years. This combined with gardening and orcharding, as well as eliminating most tradesmen from our budget by doing all our own building and maintenance, means we have been able to continue to live out this self-reliant, utopian, creative adventure for the past 40 years together.

I beats working for a living.

Best wishes from Dr. Do-Little and his Ms Abundance

The Luxury of Frugal Simplicity

We’ve been making wine, making clay, making kilns, making pots, making preserves and in general making a living, in all the various and diverse ways that we have grown into during this big long experiment called life.

As the last few weeks of summer are slipping away, the days get shorter and the plants are adjusting accordingly. This last week, we have been harvesting the red grapes and the yellow quinces.
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In the past we have tried making wine from our Isabella/fragolino grapes, but it was never very good, due to the fact that we are not at all skilled at making wine, but also because these grapes are not really suited to wine making, so we have taken to bottling the dark red grape juice. This is the very best way to appreciate these grapes. We have also grown both Cabinet Sauvignon and shiraz, which are much better for making wine, but they need a lot of work to protect them from mildew. I refuse to use anything poisonous, restricting myself to only organic treatments. So this meant regular applications of Bordeaux spray, which is copper carbonate and lime mixed together. This works, but has to be applied after every rain, as it is water based and washes off. Long term use can lead to a build-up in the soil, so I decided to let them find there own way to survive without spraying. They didn’t! So no shiraz grapes this wet year.
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However, the Isabella/fragolino hybrid is totally immune to Phytophthora root rot and leafy mildew. So no sprays are needed, perfect! These grapes are only good for juice, but the juice is of excellent flavour and the way that we have developed to extract the juice brings out exceptional depth of colour and flavour. We have tried the more traditional crushing and pressing, but this only results in a clear/pale pink juice. Partial fermentation to make ‘summer wine’. A semi fermented blend of partially fermented sweet juice and a little alcohol from the fermentation, results in a pale pink, cloudy, rose style. This is very nicely spritzig and tangy on the tongue but we have developed a better way of improving it to what we believe is an outstanding level of density of flavour and colour.
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The red colour of wine comes from the skins which contains, amongst other things, anthrocyanins. These complex chemicals are thought to be quite beneficial to your health. But simply pressing the juice out of their skins only results in a white juice or wine. Have you ever thought how clear champagne is made from pinot noir red grapes? The clear juice is quickly squeezed out of the red grapes and separated from their skins so that no contact colouration can occur. If the grape juice is left in contact with the skins, the alcohol that develops in the wine ‘must’ as it ferments starts to dissolve the red colour. Partial contact results in a ‘rose’ light red colour, but full fermentation on the skins produces a red wine. Wine makers have developed a technique called ‘plunging the cap’ which involves pushing the red skins down into the fermenting ‘must’ to encourage the contact and colour extraction. This is done several times a day, for a week or two, as long as the fermentation lasts.
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As we are not making wine, but only juice. Miss Penfold Grange King decided to try heating the juice to sterilize it for bottling, but along the way found by accident that the colour improved as well. So now we don’t really crush the grapes in the normal way. We carefully pick all the ‘berries’ off the grape bunches and separate the stems and any unripe grapes, as these can give a sour acidic flavour to the juice. We also separate any living protein from the bunches as well. In industry this is called “MOG” material other than grapes, and a lot of it, slaters, spiders, caterpillars and especially snails, can pass through the system and separators, just like grapes, if they are the same size. However, It doesn’t seem to affect the finished wine from industrial scaled production wineries.
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We take the time to carefully separate all of this by hand about 20 kilos at a time and then put the grapes in big boilers and heat them . initially to sterilize the juice for preservation, but we have found that a few minutes of simmering and some squashing using a potato masher, produces a very rich, red, dense grape juice of immense flavour and colour. It seems that anthrocyanins are also extracted by heat just as with alcohol. After the colour has been extracted by this heating, we drain off the skins and pips through a large kitchen sieve, pressing it a little by placing a stack of plates on top, then filling glass jars taken straight from the oven with ‘pop top’ lids simmered in hot water. As the bottles cool. the lids are sucked down and sealed making a loud ‘pop’ noise as they vacuum seal.
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This juice keeps for up to a year in these sealed bottles. Miss Penfold Grange King has found lots of ways to cook with this preserved juice over the years. She makes jelly, by re-heating with some gelatine and a little lemon juice and even some zest occasionally. This year we have also made some summer wine from this improved and concentrated rich red grape juice. it’s absolutely fantastic. If you haven’t ever tried some of this stuff. it is an amazing way to preserve grape juice. Except, as summer wine it isn’t preserved at all, just drunk. we make a batch every few days to replace the last batch, keeping the ferment going, restarting the new batch off the lees of the last one. We make it in 4 litre glass fermenting jars. It’s an ongoing process that lasts as long as the grape crop.
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Every year we try something a little different, some other way of dealing with what we have, always trying to find a better way to get the most out of our home grown produce. This year, amongst other things, we have experimented with preserving our quince crop by cooking them in this wonderfully rich, dense and colourful red grape juice which is brim full of flavour.
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Quinces need to be cooked with a little bit of sugar. In the past I have used pure white and deadly as well as local honey, but this year we have decided to use the sweetness of our grape juice to provide the fructose to bring out the luscious red colour of the cooked quinces.
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I bring the quartered and peeled quinces to the boil and then switch them off. Because they are so fresh, they don’t need to be cooked for too long, otherwise they will go all mushy. While the quinces are coming up to the boil. I bring all the quince peelings and cores and pips up to boil for a few minutes, and simmer for a while. The skins and pips are full of pectin, so boiling them dissolves this pectin. I drain off the pectin liquor into a smaller sauce pan and continue to reduce tha pectin sauce further.
I place the quinces in a baking tray with a few cloves, a 5 star anise, a cinnamon stick and the zest and juice of a lemon. I cut the spent lemon in the baking tray as well and pour the hot grape juice over them and place them in the oven on low to cook a little more. As soon as the pectin liquor is reduced to half, I pour it over the baking quinces and bake them for another half hour. It reduces to a jelly-like, rich, red, fragrant syrup.
Perfect with a little cream or icecream, or both.
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Yum. You don’t know what you are missing if you haven’t tasted something like this.
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We may not have much cash flow, but by gosh we eat well. We just couldn’t afford to pay to eat this quality and range of gourmet foods if we were working for money.
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Best wishes from Miss Penfold Grange and her Maximillion dollar value Schubert

The luscious excess of the summer garden

The luscious excess of the summer garden
Breakfast, lunch and dinner, plus desert.

We have been experimenting with a few new ways of dealing with our excesses from the garden. We have our favourites that we love to cook every season with all the usual suspects as they front up in quantity. It’s just amazing how much I look forward to that first tomato of the season to get ripe enough to pick and eat, right there in the garden. It truly explodes in the mouth with sweet, acidity. Such a flavour. Then all those vitamins that I am obviously in need of, because I crave that first tomato so much. Just brushing the leaves of the tomato plants while weeding is nostalgic and gives me the Pablov’s Dog reaction. i can’t wait.  I’m craving a fresh tomato after 6 months without having any. However, after a month of tomatoes with everything, I seem to have enough of the vitamins and minerals that tomatoes offer, and they lose some of their charm. They are still fantastically delicious, but there is no longer any urgency to eat them. They just become part of the menu landscape. In fact, so much so, that while I’m weeding and watering the plants, I try to avoid brushing the leaves, as the smell is no longer appetising, but slightly off-putting even. What is this reaction? How does it work? My body is telling me what I need to eat and when I’ve had enough. Time to move on, try something different.

The same can be said for zucchinis, capsicum and aubergines as well I suppose, but not with the same urgency.

After we have cooked and eaten all the usual favourite dishes a few times, we start to consider other ways of thinking about what we have and how we can be creative with it.

Breakfast of stewed fruit and yoghurt. Today its blood plums or fresh prunes.
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It’s always interesting to see what other people have found to do with summer vegetables. The following recipe is from Andrew McConnel, from his page in the recently launched “The Saturday Paper” This is a new Australian newspaper launched by Morry Schwartz this time last year. We were foundation subscribers, as I have been to ’The Quatertly Essay’ and the ‘The Monthly’. I think that it’s important to support creative ventures, and anything that may help to subvert the dominant paradigm can’t be a bad thing. The recipe for Zucchini salad is from the 7th of Feb issue.
Zucchini Salad and ricotta
The lovely made some fresh ricotta and served it with a few thinly sliced zucchinis. This is a lovely fresh salad of thinly sliced raw zucchinis. Slice the zuchs and season with pepper (plus salt if you use it), then dress with some torn basil leaves and lemon zest, + its juice and some olive oil. Evenly spread the fresh warm ricotta over the top in little lumps and a few lightly roasted pine nuts.
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After making the ricotta, there is a lot of whey still left over. This is good to feed to the chickens or a pig – if you happen to be fattening one up at the time, or to make a batch of scones?. Ms ‘one brick’ Einstein has a brilliant idea and decides to make a whey pudding by adding a little bit of vanilla bean paste, some sugar and a little gelatine to the warm whey. It sets in the fridge to a jelly that is surprisingly good as a breakfast or dessert option.
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Lightly steamed capsicums and garlic served warm and topped with fresh ricotta
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Sliced, fresh warm tomatoes picked straight from the garden 5 minutes earlier and served on a bed of oak leaf lettuce.
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Mixed small tomatoes, finely sliced fresh red onion and grated zucchini salad, served with crispy toasted seeds,(sunflower and pumpkin) dressed with lemon juice. This salad will be going on our list of ‘must do more often’. Really nice mix of flavours and textures.
Served with cold potatoes cheese, fresh basil pesto and green leaves.
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Zucchini fritters. Grate a few small young zucchinis and mix with a little flour and an egg, season with salt and pepper, some coriander leaves, parsley, a hint of chilli and finely chopped shallots. Fry in a little olive oil till golden on both sides.
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Mixed summer veggie fritters. Grate zucchinis with mashed, steamed and cooled, waxy potatoes, sweet corn nibblets, sliced, steamed French beans, finely chopped capsicum, parsley and Thai basil. Mix with egg and flour and fry in a shallow pan with some extra virgin olive oil. Season to taste.
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Baked capsicums stuffed with ricotta mixed with olive, garlic and dried tomato tepinade. roasted beetroot dip, grated zucchinis with lemon juice and pepper, sweet corn on the cob, fresh capsicum and cold potato with tomatoes and olives.
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Lightly steamed french beans served with home-made spicy tomato passata. We also have beans like this served in yoghurt with garlic.
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Baked, marinated ocean trout fragments with udon noodles and seasonal veggies. Marinate the fish in some soy, ginger, olive oil and lemon juice for a few hours. Steam, bake or Pan fry the fish in it’s marinade. Meanwhile, boil the udon buckwheat noodles and steam the fresh veggies, beans, broccoli, colli, zucchini chunks, whatever is at hand on the day. Toss the veggies through the drained noodles and serve with a few torn-up fresh Shiso leaves on the side and dress with a mix of mirin, sesame seed oil and meso.
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Baked mediterranean vegetables with cumin, Roughly chop up what ever is in the garden by way of Mediterranean vegetables. Zucchinis, tomatoes, beans, aubergines, onion etc. pour a little olive oil into the baking dish and rub it through all the vegetables with your hands. sprinkle some cumin over it and bake in a moderate oven till tender. This is a Nigel Slater recipe that The Lovely has transposed to suit what we have. The cumin isn’t something that I would have thought of, but it works and is really nice. It’s no longer a ratatouille sort of dish, and is suddenly transported to another continent.
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Ratatouille variations. Slice egg-plant, tomatoes, capsicums and onions liberally sprinkled with mashed garlic and plenty of torn basil leaves. Pour over a jar of home-made passata, sugo sauce and bake in a moderate oven for half an hour or so. Crush a few more cloves of fresh garlic and sprinkle over the top before serving. It’s tangy and gorgeous.
Serve with some chopped parsley and a little grated parmigiano.
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Summer vegetable frittata. Brown some onions and garlic in olive oil, add in chopped tomato, aubergine, capsicum, french beans, zucchini and cold steamed potato slices. Pour over the whisked eggs and grate cheese on top. cook for a few minutes on the stove top and then transfer to the grill. Best to use a flat flan pan or very shallow fry pan for this dish. One with a metal handle that can go under the grill. Grill till the cheese turns golden.
Serve with chunky zucchini steamed with fresh mint leaves. It’s just another way of using up more of the buggers.
Serve with a grating of fresh pepper.
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Almond friand cake embedded with slices of fresh pear and topped with local pecans
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Poached pears with amaretto and served with greek yoghurt
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Quinces poached in fresh pressed red grape juice.
Peel and core the quinces, place in a large baking pan cover with fresh pressed red grape juice and slow cook for at least 4 hours in a slow oven, untill they soften and turn red.
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We are not fooling ourselves. There isn’t anything new here. This isn’t fancy food. It’s just simple honest Post Modern Peasant food picked from our garden and cooked within hours, if not minutes of harvest. A good percentage of it is even eaten raw in the garden while we are harvesting. Nothing could be fresher or more wholesome.  Nearly everything on these plates is home-grown and home-made – even the plates.
Best wishes from two well-fed potters

Resistance is Fertile

The summer garden is being very productive and keeping us busy. The heat is back and the rain has largely stopped, so I had to water the garden today. I have been building kilns these last few weeks, more or less full-time, but there are always things to do in the garden and it’s a great entertainment and relaxing break from working on kilns to be able to just walk out of the workshop and spend half an hour with the vegetables as a break. I really enjoy this attempt of ours of the last 40 years to try to achieve some independence and self-reliance, but I still have to earn some money to pay all the rates, regos and insurances that are necessary to be able to live and work here. There are no free lunches in this garden. We know a lot of potters here, but non that makes a living solely from what they can make and sell. Everyone has a second income from part-time work, or a partner with an income who helps to support them. We have both worked part-time to support our artistic ‘habit’. Building kilns and running firing workshops from here are our current income support schemes for our self-reliance. Selling our work makes only a quarter of our income.

The Queen of Quince has started on the late summer preserving sessions. Potatoes, tomatoes, basil, beans, pears, apples, quince and red grapes are all coming on at the same time and have to be dealt with. I lend a hand where I can as an interesting relief from the kiln work. I usually try to keep January free of kiln orders, so that I can be 100% involved in the garden and kitchen at this busy, productive time of year. But this year, events transpired such that I have to work on a kiln to make a deadline that can’t be changed. Being adaptable and adjusting to change is a useful skill I’m told?  Organic growing, nurturing, harvesting, preserving  and cooking and eating our produce is the most rewarding thing that I can think of doing with my life. It is the reason that we have chosen to live out here in the bush with few services, but plenty of space, clean air and water to live out our self-reliant, creative, self-employed utopian dream. As it’s turned out, and much to my surprise, we have managed to ‘get away with it’.

I could have chosen to make something a lot more ‘commercial’ I suppose? And in a very much more efficient manner, but that just doesn’t seem to interest me. I’m not really very interested in ‘efficiency’. I rather like to spend a long time creating something really beautiful with my hands, whether its making a pot on the potters wheel, or weeding a garden bed, writing a real letter on beautiful paper by hand using an ink fountain pen, or at the current time in spending time hand carving and shaping a fire brick to fit in a specific position in the door of a kiln so that it makes a perfect door seal, with a ground face and precision interlock. Some of these firebricks are cut and shaped on 6 faces.

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No-one really understands what goes into a hand-made object. It is no longer part of our Australian culture. It belongs to a time long past. However, I believe that it is important to keep skills alive. So I really do it for me. I’m completely selfish in this. Luckily, there are just enough people out there who are prepared to support me in persisting with this enterprise. The people who buy my kilns or come to my exhibitions have no idea of what they are looking at. “Oh yes, it’s pretty” doesn’t scratch the surface. It’s the back story to all of this that makes it special. No-one can see this in the object. It’s invisible, but the object wouldn’t exist at all without all the preparatory work and research. The research and prep are the two noughts on the price tag.  Anyone can make a bowl. It’s the simplest of shapes. Nothing to it!  I want to prospect, dig, crush and mill all my own materials for my pots, in just the same way that I want to grow all my own food. This isn’t a business, it’s a philosophy.

With the assistance of her friend Vicki, The Lovely has picked and juiced most of the apples, except for one tree.

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The apple juice from these apples are destined to be made into cider vinegar. Tomatoes are picked every few days and reduced to sauce and vacuum sealed in ‘pop’ top glass jars for use later. The basil has been converted into pesto. The first of the pears are stewed and in the fridge for breakfast and desert fruits. We have had the first picking of the 2015 vendage and some is stored as preserved red grape juice while some of it has been left to ferment with it’s own wild yeast to be drunk as Summer Wine. Slightly spritzig, sweet, weak red wine. It’s something that we came across on road-side stalls in Europe some years ago, when travelling around in their late summer/early autumn and it’s so fantastic and relatively quick and easy to make, compared to real wine. Very refreshing and satisfying on a hot summers day.

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We start by picking the low hanging fruit.

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Then the higher hanging fruit

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We have been supplying quinces and beans to a local restaurant in the last week as well.

Kipfler King has been planting little batches of potatoes as they start to shoot and this latest batch has come from a wire compost ring, behind the mower shed.

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They are nearly all small kipflers, we steam them in bigger batches. Too much to eat at one sitting, then we cool the excess and place it in the fridge for a later time. This is not to save time or money. We do it because cold potatoes are better for you. Fresh steamed potatoes are digested straight away and go pretty quickly into your bloodstream. High GI. Once cooled however, the potato starch is converted to what is called ‘resistant’ starch or ‘butyrylated resistant starch’. It isn’t digested in the tummy or small intestine, but passes all the way to the lower intestine where it feeds the endemic gut flora that like to live there. It makes for a very fertile environment for this good gut bacteria. So, resistance is fertile, I read an article about this in New Scientist twenty years or so ago and reprised recently, I have practised it ever since. Having a healthy and fertile environment for the good gut bacteria is an excellent way to ward off colorectal cancer. I also remember reading that cooking the spuds a second time and then cooling them, converts even higher percentages of the starch into the resistant form. Providing lots of fibre where it’s needed. We don’t ever seem to get around to doing this second cooking and cooling. We already have enough to fill our days.  I should change my habits, but I’m resistant.

The humble spud, not un-like revenge, is apparently, a dish best served cold.

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Best wishes

from the highly resistant Steve and his Queen of Quince, the Kipfler King

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The Pig’s Ear, Chalk and Cheese

My new batch of native bai tunze porcelain stone clay body is ready – if you can call wet rock dust a ‘clay’? Whatever it is, it’s all lifted from the drying bed and stored in plastic bags waiting for pugging. I have been up in Sydney all of last week teaching a MasterClass in porcelain bowl making. I took along a couple of samples of my homemade porcelain bodies for my students to try. I got to throw this batch for the first time during this week. It was lifted on Sunday and thrown on Wednesday. Not a long time for ageing, but it was surprisingly good for something so fresh. It had quite a bit of stretch to it for milled stone but showed its true character by tearing with lots of stretch marks and little cracks as it was pushed to extremes.

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On the potters wheel it held up reasonably well for something so thixotropic. I had found that I needed to dry it out a little more before throwing because of the thixotropy effect of the kneading. This kind of milled stone body with lots of alkali present has very low plasticity and a very narrow range of Atterburg limits. This means that it goes from being too wet to hold its self up properly, to so dry that it becomes crumbly in a very short space of time, so drying is critical. I have learnt to keep it on the soft side until I need to use it and then stiffen it up to the desired consistency just before throwing.
Conventional potters kneading doesn’t always give the desired result with this kind of paste. In fact, it doesn’t knead well at all. I learnt to wedge and knead clay in the traditional Japanese spiral fashion a long time ago when I did my apprenticeship with a Japanese potter. I became quite proficient at it. I had to. He was very demanding. As it’s turned out, this is one of the two things in life that I can do well, so I’m not embarrassed about my spiral kneading/wedging skills, in fact I considered myself competent.
So when a new teacher came to the National Art School in the early/mid seventies to teach there and we shared a class together. I got to learn something new. Gillian Grigg was very well trained in Stoke on Trent and later, topped off with a Masters degree from the Royal College of Art in London. She was a gifted artist and potter with an amazing range of excellent skills. Everybody was in awe of her capabilities, while she was was quietly diffident and understated. It transpired that one day we were sharing a class and the subject of porcelain came up. I mentioned that it was hard to knead, but could be done well with some practice and proceeded to demonstrate what I had learnt. Gillian watched and then quietly mentioned that she had been taught in Stoke that the technique of cutting and slapping the clay together, called wedging was proven to be a superior technique to spiral kneading.  As this was not what I had learnt, I was surprised to hear this. Gillian assured me that this was what had been demonstrated to her during her studies in Stoke.
Gillian spoke quietly, but carried a big stick of knowledge, experience and skills, so I listened, but I was very confident that I had good skills, perhaps too full of hubris and youthful inexperience though? We set about providing an experiment for the class. We divided a bag of porcelain clay between us and set about preparing it by our own methods. After 5 minutes of this we cut our block of clay in half and swapped half our clay with each other. We then proceeded to throw a pot out of each ball of clay. I had to admit that Gillian’s clay was noticeably much better than mine. Tighter and more workable. I learnt something that day and it’s stuck with me. Thank you Gillian! We were like chalk and cheese, she so full of fine, natural talent, acquired knowledge and hard won experience, while I was a young ceramic kelpie with too much energy and not enough knowledge or experience.
To this day I finish my preparation of these milled rock paste bodies with a session of cut and slap wedging. This new batch of bai tunze is much better for it. It’s a little tricky to get the moisture content just right, but once it is, it throws on the wheel with the plasticity of a soft-ripened cheese – double brie perhaps? After it’s been resting out of the fridge for a while!
When I am preparing the minerals for this body, I carefully choose to use the tannin stained black water from the water tank below the pottery that collects the most eucalypt leaves. This water comes from the tank a dark slate grey to black/brown colour like over brewed black tea. I choose this water because the tannin helps to create good plasticity. It reduces the pH of the batch as it is being made and neutralises the alkali that is released from the stone during milling, as the combination of alkalinity and fine non-plastic particles produce thixotropic effects. i.e. it turns into warm brie on the potters wheel.
Throwing this clay is an exercise in coaxing a stiff non-plastic paste up into a simple form and leaving it thick at the base to support the rim.  It’s not a pretty sight, but if the form is well planned it can be coaxed into something by judicious turning later. When the pot is dried to leather hard it can be turned roughly to reduce weight and create a more even thickness, but this kind of non-clay material just isn’t sufficiently plastic to allow conventional turning. It tears and rips apart into torn chunks like cutting through Tasmanian Mersey Vally cheddar cheese. Very crumbly with no real internal cohesion. Roughing out is all that is possible at this stage. This clay turns from brie to cheddar, then to chalk over time while drying. The pot is left to dry to almost bone dry before it can be turned to a smooth, fine, finish. Turning bone dry requires very sharp turning tools that need to be re-sharpened regularly, as the stone fragments wear away the metal and blunten it very quickly.

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I have seen some potters in Japan using tungsten carbide tipped turning tools that hold an edge very well for a long time and I got to try using one in Tatsuya San’s workshop last year. I bought one after that, but I find it a bit heavy and cumbersome, as I’m used to making my own tools out of high carbon steel, re-cycled, packing case strapping. They are quick and easy to make and easy to keep sharp with a few strokes of a file. I like that they are so light and flexible. I guess that it’s just what you get used too. Perhaps I like them because I can make them myself from re-cycled material, forestalling waste and re-purposing industrial discards. It is one small part that adds to the bigger picture of self reliance.

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Turning pots bone dry is just a little tricky also, as you need to use a specially designed leather-hard clay ‘chuck’ to hold the pot perfectly and intimately with exquisite contact detailing, such that the bone dry and very fragile rock dust bowl form won’t crack due to the stress and pressure of the turning and trimming. This process can also be quite dusty as well, so measures have to be taken to minimise the dust. I tend to turn while there is still just a small fraction of moisture still in the pot. In workshops where they turn like this day-in and day-out, they install exhaust fans to collect the dust in a dust extractor where it is collected for recycling. Turning dry clay like this is like cutting through chalk. Actually, it’s more like grinding away at a chalk surface and reducing it to powder to reveal a form encased or hidden within.  I’ve come to like turning, it’s the other thing that I’m OK at.
From the Journeyman on the remarkable journey from Cheese to Chalk and then on to the Pig’s Ear. (porcellana). Porcelain was named for its similarity the Italian sea shell (cowrie shell), ‘porcellana’. Named for its pale white, translucent quality. However, the shell porcellana was named for it’s similarity to the pale white translucent nature of a pigs ear. Hence Porca – lain. I wonder if I can make a ceramic purse out of it?
Best wishes from the potter with the cheesy grin, who’s bringing home the bacon.

Much ado about netting

We have netted all the stone-fruit trees in the orchard that still have fruit on them. We move the nets from the early trees that have finished fruiting and relocate them to the late season trees that are turning colour and ripening. Once all the early fruiting varieties are done, they no-longer need the netting. Some of these trees are getting quite old now and have gained some size. Our oldest trees are over 40 years old, however most are now 2nd generation plantings, still they need a support system that can cover trees up to 4 metres high. This means that we need to use the bigger nets that are 9 metres square.

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We have figured out a way to build a frame simply out of 2 pieces of left-over polypipe tubing, tied together in the middle and spread out at right angles to form an arched support. We hammer in tomato stakes to secure the pipe to the ground and it become quite stable. The difficulty is in getting the netting over the frame. Janine ‘bowline’ King attaches a rope to one side and throws it over, then with me voicing encouragement, she hauls the netting over the frame. The polythene piping is quite smooth and slippery, so the netting travels freely over. We repeat the process for each tree with ripening fruit until we run out of nets.

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The birds are so very resourceful. They have figured out that if they sit on the netting and bounce up and down on it , it will sag down until it touches some of the fruit. Then they peck at it through the netting.

This whole process of netting is fast and efficient, and we get it all done in an hour or so. There is still time in the afternoon to go to the garden and de-fuse the exploding zucchini crop. We lunch on steamed broccoli and cauliflower with a squeeze of lemon juice and a little fresh ground pepper.

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As the garden is so prolific in this warm wet weather, we decide to make an egg plant parmigiana. We have lots of tomatoes and aubergines.

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Tomatoes blanched and skinned, sliced and laid over the aubergines with a little olive oil, then sprinkled with torn basil leaves and crushed garlic, finally covered with a jar of our home made tomato, garlic, onion and capsicum sauce. Grate parmigiana on top and bake.

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Another favourite at this time of year for a simple meal on a hot day is cold cucumber soup.

This isn’t really a recipe, more a way of thinking about using up cucumbers. It’s cooling and soothing and a little bit tangy, and you get to use up a lot of cucumbers.

Use half a dozen small, or 3 large cucumbers. Peeled and seeded if they are older and larger, but all in as they come if they are young.

Some mild onion like red or white, or even green spring onions finely chopped

A big bunch of cilantro or coriander leaves finely chopped.

A small bunch of mint leaves finely chopped.

A couple of cloves of garlic, smashed and de-papered.

Some finely chopped chilli to taste and although I don’t use salt, if you want it, add it to your our taste.

Juice of a lemon.

Put it all in the blender or food processor with half a tin of coconut milk and the same quantity of plain greek yoghurt, or just one of them, or some sour cream if that’s what you have in the fridge. You can use a blend of all three.

You can serve it with a little bit of olive oil on top and some paprika sprinkled on.

Janine mixes up the recipe each time she makes it to keep it lively and interesting, sometimes adding chopped dill, parsley or tarragon leaves. Sometimes with only yoghurt and other times with just coconut milk. It works just the same.

It’s always different and always delicious.

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Half Baked

Welcome to mid-summer.

Without doing anything about it, we find ourselves now at the high point of mid-summer. It was effortless. How did we get here? Time is flying by, the days are getting shorter, but not that noticeably and the fruit is ripening on the trees, even through all this rain. This is probably the apogee of the summer heat, although it’s not that hot this year. Our maximums are in the low to mid thirties.

The Earth Mother Garden Girl has been out early, picking vegetables and returns with a wheel barrow full. She comes in with a couple of boxes full of tomatoes, capsicums, aubergines, zucchinis, and more.

I’ve spent the day cutting and folding stainless steel kiln parts. I see the bounty of summer right there in boxes on the kitchen floor and decide to make the obvious choice, ratatouille. It’s that time of year!
I start by selecting out all the bird-damaged, rain-split, sun-burnt and otherwise affected and just plain over-ripe or undersized tomatoes. Paring them down and cutting them in half. I rub them with olive oil and dress them with a sprinkling of salt, then pop them into a low oven to dry a little for a while.
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For the past few days, The lovely has been thinking about doing our tax. It’s a job that we always do in Jan. Well, we try to. It has to be in by March, along with our company returns. It’s not as big a deal as it used to be. Since the introduction of the GST and quarterly BAS statements, most of it is already done. But it’s still a job that no-one likes. So My Beautiful Abacus has managed to put it off now for 2 days and as a result of this extended procrastination, she has sorted out the office, cleaned out the spare room, tidied under our bed, re-arranged the pantry and de-cluttered the kitchen table, work bench and side board. Tax time is great! The house has never looked so tidy. I think the next job on the tax-list may well turn out to be cleaning the shower grouting. Procrastination can be good!
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In the kitchen the smell of the half baked tomatoes is wafting out and about the house now. I split the zucchinis, capsicums and aubergines. These are our first two aubergines of the season. I lay them all in a baking dish with some olive oil, cover them with the half baked tomatoes and dress it all with a big handful of torn basil leaves fresh from the garden, while The Lovely crushes a few cloves of garlic and spreads it about all over the mix. I tear up a few anchovies and place little bits evenly about the pan. It isn’t pretty. It’s a big jumbled mass of veggies, but it smells fantastic already and I haven’t even cooked it yet.
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In the oven for half an hour to soften the veggies let it all meld in together. It fills the house with that smell of “only in summer”.
For me, ratatouille and its many variations has to be the apotheosis of summer. Good olive oil and fresh summer vegetables from the garden – beautiful!  As we only eat what we grow. We can’t have this dish at any other time of the year. Aubergines are very slow to get going here. They don’t start producing until mid-summer and then fruit well into the autumn. Zucchinis on the other hand are just about past their zenith and starting their slow decline as they straggle and spread all over the place. The tomatoes haven’t reached their peak as yet, but are bearing very well for us just now. We are just starting to get enough to think about bottling them. Passata may well come before tax?
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My Beautiful Abacus packs away the tax files from the kitchen table into their relevant boxes and spring folders, then transforms into a Beautiful Maitre’D and Sommelier as I plate-up the fragrant dish and grate a little parmigiana on top and some more fresh basil leaves. It’s really wonderful, if I do say so myself. It’s a great pity that I can’t convey the smell sensations to you in words. You just have to be there – or do it yourself. Half baking the tomatoes really helps to concentrate the flavour. It takes a little longer, but it’s really worth it. Once they are in the oven, you can go back to not doing the tax for a little longer. Actually, it’s a great way to extend the working day without realising it.
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Best wishes from the Half Baked Steve and his Beautiful Actuary