It’s the last days of spring, and I have been very busy doing all sorts of little jobs that have been waiting for me to find some ‘spare’ time. We were so flat out busy working in the pottery leading up to the open Studios weekends. Now it’s time for other things.
Although it’s still spring, it seems like summer has been with us here in Balmoral Village for the past 6 weeks and more. The lush green spring growth is long gone. It’s been hot and dry, interspersed with cold, blustery, windy days. The net effect has been to dry everything out. The paddocks and lawn around the house have browned off. The soil in the vegetable garden has dried out to the point of shrinking, and starting to crack open in the places where we are not watering the nascent, emerging seedlings, destined to become our summer food source. We keep the soil moist around the seedlings and let the other areas stay dry – until I need that spot to plant more vegetables.
We have spent years nurturing the local soil here. Improving it with multiple applications of compost and manure, interspersed with additions of lime and dolomite. Over the decades, the depth of the fertile, friable topsoil has increased to over 300 mm.possibly more in places. I never seem to hit the hard iron stone and sandy loam layer anymore. The worms take the organic matter down deep and mix it well. I just keep adding compost to the top as a fertilising mulch.
It was a real shock and learning experience to discover how effective worms are at disseminating organic matter down through soil to amazing depths, given time and repeated applications of organic matter/compost. After the bad fires here in 2019, our orchard trees got very badly burnt, so I decided to move the orchard up closer to the street and to build the new pottery on the old orchard site. When we started to dig out the stumps of the 45 year old fruit trees, I was amazed that the rick chocolate brown top soil when down half a metre or more. When I planted those trees in 1976, the holes I dug for each tree were dug through hard yellow stoney loam. What a change in the soil profile over those years. Thank you worms.
The zucchinis are starting to produce well now. They come on quite fast from seedlings to fruiting in a few weeks in this warm weather. I have been picking them small with the flower still on and stuffing the flowers with cottage cheese and herbs for a light fun dinner.

We also have plenty of silver beet/chard at the moment, although it is starting to bolt with the longer days. I have planted more seeds for a follow-on crop. I have been making spanakopita-like spinach and cheese triangles, or spanapotterka as I like to call them, or sometimes whole pies with a similar filling. It’s a great way to use up our excess of leafy greens, as they bolt away in the heat, and maximise our return from them before they are all gone. but it does need the ricotta, fetta, blue cheese and herbs mix to make it special. Plus a light touch of chilli.


I have also been making a few fruit tarts as well. Something for a more relaxed and comforting morning tea. Since the Open Studio sales are over and the 50% off Xmas sale hasn’t happened yet. Not until the 14th of December. The pottery is all cleaned out and set up for sales, I don’t want to mess it all up making more pots just now, as we still have plenty of stock. So I have time in the garden and kitchen catch up and do a lot of things that I like to do, but haven’t had the time to fit in, until now.


We have picked the last of the artichokes and cauliflowers. I made a vegetable pasta with the artichoke hearts and as the cauliflower was so far gone. I mashed it up and used it as vegetable filling to bulk out the sauce with last summer’s tomato passata.


This week we picked the last of the cherries and the first of the apricots.

I like working in the garden, especially in the warmth of the season, before it gets too hot. Everything responds so well and so fast at this time of year. There is always some fragrance in the air and birdsong on the wind, often fighting over the last of the high fruit in the mulberry tree or some other treasured and favoured food source. They squabble and chatter and squark and carry on, endless entertainment.
While in the garden, I noticed that one of the ancient wooden barrels that I bought 3rd, or even 4th hand, some 30 years ago, have finally rotted away to the point of collapsing. The staves have rotted away from the inside with the constant wetting and drying as we water the blueberries that we are growing in them.
I hate to see waste, so I made one of the rotted staves into a textured pottery tool. A paddle for creating texture while changing the shape of a larger pot. I’m teaching a weekend workshop of tool making next weekend, so this can be one of the projects. i have lots of these old textured staves now. I had to shape and add and new wooden baton, to reinforced and strengthen the handle. A rewarding project that avoids waste and recycles some old timber into something useful and precious. I love the natural, organic texture of the old weathered wood.



Once that was done I set to and cut, folded and rolled a new galvanised steel sheet ring to slide over the old soil base to keep the bush alive. I slipped the ring up and over the bush, down around the soil base. I made the new ring to be just 50mm larger in diameter to make the job easy. It fitted perfectly! I filled the small gap around the edge with some light soil and compost mix, eventually watering it all in to settle it down. It cost me about $30 to make this new steel pot, and it was quick and easy, as I didn’t need to move the plant and all its soil. A new 1/2 wine barrel would cost a couple of hundred dollars these days. So out of our budget range. $30 seems cheap to me for a 750mm dia garden pot, 400 mm high.


This new steel pot isn’t as beautiful, rustic and weathered as the old wooden barrels. The wood has a certain ‘natural’ beauty that I love, but I ask myself. “Are they 6 times better?” Possibly? But then I think of trying to lift the 100kgs of soil and root ball up and into a new wooden pot. I couldn’t do it anymore. So I’m playing it safe. I’m happy with the new pot.
Of course work in the pottery is never completely over. We have a summer school and other throwing weekend workshops booked in for the new year, so It’s time to make more clay body to get it all laid down and ageing, ready for when it’s needed in the new year. Our pottery workshop is laid out in such a way that the creative side is quite seperate from the more dusty, noisey, messy side of the business where we crush and grind all our glaze materials and make our clay bodies.
Janine and I have processed over a tonne of clay this year through our equipment. Each batch that we make is unique. As we do everything ourselves, we can make each batch of clay slightly different in order to closely match the type of projects that we are planning to make. This latest batch is slightly coarser in texture to facilitate making larger forms. The added grit helps the clay to stand up better in larger forms. We also make fine stoneware as well as porcelain.


After all the clay is processed, pugged twice and then bagged and put to bed, everything is scrubbed down and the floor is mopped.
I like to keep the workshop as dust free as is possible. After a change of water and a 2nd mopping, the big roller doors at each end of the workshop are opened up and the breeze flows through and drys the floor.

We are good now for the next 3 months. We are very lucky to have such good equipment that allows us to make large amounts of clay like this in a couple of days. All this gear is very old and has had a difficult history. But I manage to keep it all going, maintaining it as best as I can, cobbling together disparate parts and spares from here and there and making up special bits where they aren’t available any more. Its a challenge, and rewarding when it all works.
Nothing is even finished, nothing is ever perfect, and nothing lasts.































































































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