Winters End – The Last Truffle of the Season

Today we finished off the last truffle of the season. It was romantic, mysterious, fragrant, exotic and delectable. It really elevates the humble scrambled egg into something special without taking anything away, just adding loads of romance and aroma. The warmth of the freshly cooked eggs releases so many aromatic oils and esters from the tiny black fungus. It fills my nostrils as I bend over doing the shaving. It’s a good thing that we only get to eat these delicious little morsels in the winter months, otherwise we may become somewhat blasé about it all. As it is, they are still a very special seasonal treat, If somewhat expensive. We can only afford to live this decadent gourmet lifestyle on our frugal budget because we have a son in the industry.

We are also probably making our last batch of marmalade too, as we have picked most of the Seville oranges now and eaten nearly all of the other citrus fruit. Although this is the beginning of spring, it is also the end of winter in another way, so it’s the end of the winter crops like citrus. We try and live with the seasons, so that’s it for the big citrus splurge in our diet. 

It is one of the blessings of living in the Southern Highlands, that we have 4 distinct seasons. For instance, this morning we had another frost. This might possibly be our last really cold morning, but you never know with the climate emergency developing as it is, anything could happen.

I peel off the thin yellow layer of the skin without taking too much of the pith. I want the pith off!  With my pile of curly peels, I end up with what can only be called ‘bitter and twisted’ .

Janine removes the pith and cuts up the juicy centre to add to the pan. The first pan is on for 30 mins. before we get the 2nd pan on the stove and the difference in colour is dramatic, it  gets richer and deeper as it cooks. We try to use as little sugar as possible, while not making it too bitter and acidic, we also need enough sugar to make it ’set’. It takes about an hour of steady simmer to get it to thicken sufficiently. It’s worth all the effort, it tastes delicious, with just the right consistency. Seville oranges aren’t all that nice on their own. They are OK, but they really come into their own when it comes to making marmalade.

The stone fruit orchard is growing up well. This is its 3rd year and the trees are starting to look a lot more settled and established, with thicker trunks. I have been pruning them into open vase shapes where possible, but some of them have a very narrow vertical habit. They are all grafted onto ‘dwarf’ rootstocks, so they are keeping to a compact size. Most of them are now about 1.5 to 1.8 metres high, with an expected total height of 2.5 metres eventually. But I am well aware that plants can’t read their own labels! So there are bound to be variations.

We had a really great 1st Weekend workshop in the new pottery. It worked very well. The new studio is a great space to teach in. The light is good and the layout works ergonomically for 10 people, 8 students and 2 teachers. After everyone left I got stuck in and started making more pots for myself. The Open Studios, Arts Trail is coming up at the end of the year, so I need to get back to work making pots for that. I started back at it by making 30 straight sided mugs.

I spent a few days since the recent weekend workshop, in the afternoons, in my spare time, splitting and dressing sandstone blocks, to make some garden bed edging along the recently finished slate capping on the big sandstone retaining wall around the new pottery. It’s just another one of those jobs that has been in the offing and waiting for the ‘right’ time. I chose this ‘right’ time from what is left of my other time! Once the little wall was in place I shoveled in a load of top soil and planted seeds and a few seedlings to make the edging look a bit more settled and finished. I sprinkled in a packet of English Cottage Garden seed mix for good measure and 30 caper seeds, one every 600mm. Capers need an elevated, well drained, sun baked, dry, harsh environment to thrive. They take 2 years to establish, then persist for many more as long as they are cut back and pruned hard in the winter to stimulate good growth in the spring and summer, as flowers and fruit are produced on the new years growth. The elevated and exposed wall seemed like a pretty good place to try them out. I have read in a few books that they thrive on top of stone walls in the Med’s dry summers. I have no expectations, but if something comes of it, I’ll be pleased. If not, then I’ll chalk it down to another one of life’s enriching experiences. The stones look nice anyway, regardless of whether the plants grow or not!

After the soil was shoveled into the new beds, Edna the chicken, who had been helping me all day, came along and decided to help me some more by scratching a lot of it out again. I had to make some impromptu wire covers to protect the small seedlings from being excavated!

I’m happy with the result. 3 days work and $50 bucks goes a long way. I’m hoping that it will look greener in time for the November Arts Trail, Open Studios event.

Make and scratch

For those of you who have expressed interest in doing a weekend workshop with us here in the new workshop, now is the time!

We will be hosting the 2nd weekend workshop here at the Loopline Pottery, on the 25th/26th of Nov.

The workshop is titled Throw and Scratch, and will be a hands-on throwing and decorating workshop concentrating on Sgraffito.

Janine, Warren and I will be offering the weekend workshop here over two days on the last weekend in November, 25th and 26th of Nov. 

Over the weekend we will be demonstrating throwing and slab plate making techniques to be painted with coloured slip(s) then decorated using the ancient sgraffito technique of scratching back through the slip to reveal a contrasting clay body colour underneath. 

Day 1.  This workshop is aimed at potters of beginner/intermediate level of experience. We will be beginning with a design exercise on paper to develop a graphic motif for you to carve into your pots. Please bring your design ideas portfolio with you. We will be throwing cylinder forms, then flatware forms that are suitable for sgraffito decoration. We will also be rolling out a few slab dishes so that everyone has a chance of getting a few suitable forms stiff enough for slip decoration and sgraffito on the second day.

Day 2.  We will be spending most of the 2nd day in decorating mode practicing our sgraffito decoration. 

Wood fired and sgraffito’d work by Janine King

Slip and sgraffito piece by Janine King

Graphic sgraffito mugs by Warren Hogden

Overview.

Sgraffito can be elementally simple, just carving straight into the clay surface.  This is a very effective technique for pots that are destined to be wood fired, where the carving enhances and enriches the natural wood fired surface. Other glazing options are to carve into the surface and then glaze the pot with a celadon, or other transparent glaze. Celadon and other similar glazes pool in the crevices and get darker and richer with the carving.

Alternatively, a contrasting slip can be painted on the clay body and then carved through to reveal a contrasting decoration. We will be using our homemade Balmoral white stoneware clay body and homemade black slip. If you have a special interest in using a particular underglaze colour scheme, you are welcome to bring your own underglaze colours.

You will need to bring some design ideas, a sketch book, a 5B or 6B soft drawing pencil, your throwing tools and something simple to share for a communal lunch. Tea and coffee will be provided.

At the conclusion of the workshop. I will be offering to bisque fire 2 of your best pieces for you.

Cost $ 250  for the two day workshop. ($125 per person per day.) We have 8 potters wheels, so the class will be limited to 8 people. First in, first served.

Please feel free to contact us for further information.

Spring has sprung

Right on schedule, it’s the beginning of September and therefore Spring, and sure enough the orchard trees are breaking into blossom.

Someone recently said, “spring has come, I’m so excited that I wet my plants”. I liked it, it made me smile, so I’ve stolen it.

Right on cue, everything has burst into bloom.

 Blueberries 

Nectarines

  Peaches 

Apricots

  Almonds

  Cherries

Even the hazelnuts are flowering. However, they are almost invisible, unless you get right up close, very close indeed.

Their tiny red flowers are only a couple of millimetres across. Obviously, being so small, they are not relying on bee pollination, like the showy stone fruits. Those floozies are big, brash, colourful and full of rewards for bees. Hazelnuts on the other hand are fully wind pollinated, so don’t need to expend any energy of showing off.

  Hazelnuts

The weather is predicted to be hotter and dryer in the coming years as we slip back into El Nino again. We have had 3 wet years of La Nina, that ended the drought and the bush fires, but now we are heading back into the old hot and dry years again.

It hasn’t rained properly for months. The dams are already down to below half and we haven’t even started the summer. I can see that we will be relying on our tank water storage for the garden and everything else as well.

Fortunately, Janine and I invested heavily in large water tank storage over the past decade of our working life. It was that water that I used to save the house and whatever else I could during the fires. 

Every roof that can catch water has a water tank attached. We have about 1/3 of a million litres of storage capacity in hand now. Since we have rebuilt the pottery and other sheds after the fire, they are all now connected back into the water storage system with independent, petrol powered, high pressure, fire fighting pumps. They haven’t been used in anger since the fire, so will need to be serviced and tested before the real heat sets in. I feel that we are in the best place possible to deal with the coming dry. 

Now the garden needs some TLC and water. I’m so excited, I wet my plants.