A few weeks ago I was stealing time from the clean-up to put new wooden shafts in a few of my burnt and roasted heavy tools. Like masons lump hammer, pick and sledge.
This week we had the chance to get the excavator here for another day. Every plant operator in the district around here is fully employed in the clean-up. Our Good friend Ross rang and said he was fully booked, BUT, had a chance to get here for a day between other jobs, to help us finish the stone wall around the proposed new pottery site. We were thrilled. Spare earth moving equipment at any time around here is rare, and then to get access to it at a reasonable price is exceptional.
I am very keen to live a self-reliant life. I pride myself on having done almost all the trades around here over time. I only employ trades when it is required by law, – like electricians for instance. But, there are some jobs that are just too big for me to handle alone with my crow bar, chain blocks, tripod, little ute crane and toy tractor. Moving 1 tonne stones is one of them. My only way to handle these big sand stone floaters that I dug out of the vegetable garden area 20 years ago, was to get out the stone masonry tools and using a lot of small ‘gads’, to split the bigger stones into smaller pieces, so that I could lift them with my little tractor.
This has worked well in the past, when I wasn’t so pressed for time, but now that I’m flat out busy with the clean-up and re-construction. I just couldn’t find the time to cut and split all these stones. Hence, I was very pleased to see my good friend Ross turn up with his small excavator, to pick up the stones as they were and move them to the last little bit of the retaining wall that needed finishing.
The ‘natural’ shaped stones look a bit rough juxtaposed with the large cut blocks, but they are 100% local off our site here. I dug them out of the ground 20 years ago, when I cleared the land for the new vegetable garden. Working together, Ross and I managed to get both sides of the retaining wall done in one day.
We managed to move and place about 20 large sandstone floaters into position and back fill the site with soil and batter the edges into ramps, that will allow easy access by our zimmer frames and/or wheel chairs into the future.
This ground work is now complete and ready for the foundations of the new pottery. We finally got our building approval certificate from the local council on the first of this month and paid the deposit on the 5 different kit-form, metal framed, farm sheds.
Kit-form, metal framed, farm sheds are not my favourite buildings. I fact they are really pretty ugly in my opinion, dull, flat and boring. But they are cheap! At my age now. I can’t consider building from scratch on my own as an owner-builder, like we did in the early 80’s when we built the last pottery. So, I have decided to buy 5 different shapes, sizes and heights of farm sheds, then bolt them all together, like ‘Lego’, or more precisely, like ‘Mechano’! Such that we will end up with an unusual building with a bit of character. The plan is to have 3 of them in a row, all the same width, but with different heights, then to add two more at right angles, to make a ‘U’ shape and create a central courtyard. The last two will be different widths and heights to the others. One lower and the other higher. This will create a more organic and interesting shape or cluster. Rather than the usual long flat factory unit look that most of these metal sheds end up looking like, dull, boring and predictable. We anticipate getting started on the building in a few weeks time, as we are now in a queue, waiting for our kits to be manufactured at the factory.
I am well underway with the orchard’s bird proof netting frame.
When it is finished, it will cover 600 Sq, Metres of orchard, sufficient area to plant 30 fruit trees. This will give each fruit tree 20 sq. metres. This is more personal space than I am entitled to in a restaurant or shopping mall under the new Covid19 restrictions!
The other thing that we have been doing this last few weeks is working on the front fence, whenever we have a spare day. This project is now almost 3/4 done. A few weeks ago, before the recent increased restrictions, we had a group of potters here to help on the weekend. We managed to finish adding all the galvanised mesh to the metal framework on the last southern end of our new ceramic, fire resistant fence. Janine and I have been putting in the odd day here and there as time allows. It’s a good job to have sitting in the back ground, as I can pick it up where I left off at any time. However, I’ll be pleased when it is complete.
I seem to have ended up working on 4 jobs at once. This allows me to be always fully busy in making or fixing something all the time, even while I wait for parts to be delivered, or other stuff to turn up. Such is my life in these complex times. At least working hard like this alone keeps me self isolating safely. I’m constantly searching for cheap or frugal solutions to complex problems. For instance, Janine and I spent an hour, smashing up old bits of terra cotta with mallets, to make orange coloured gravel to add a detail to our ceramic wall. It was a dirty, dusty job, and our wrists ached afterwards, but it was worth the effort.
Another job I have been tackling over for the last month is the cleaning, sorting and selecting all the burnt pots that we were able to salvage from the ruins of our pottery and barn.
Almost every porcelain pot shattered, not too surprisingly! I only have one piece that has survived. It now lives in the kitchen.
The pots that did survive were all rougher stoneware bodies. Not too surprising there either.
I have spent the last few days documenting, cataloguing and labelling the best of them for my exhibition at Kerrie Lowe Gallery, opening online on the 31st July. All the pots will be physically present in the Gallery, but it will be a virtual show only, with no opening, due to the Covid19 restrictions.
If you are going into Sydney to buy ceramic supplies from Kerrie, you can see the pots in person, but you must follow Kerrie’s instructions about social distancing and numbers of customers allowed in the gallery at any one time. Check opening hours before turning up.
This is a lovely triptych that survived the inferno. It has a very satiny smooth guan-like glaze enhanced with a smokey patina and sooty crackle.