Over summer we don’t go far. We stick around the house, just in case of bush fires. We concentrate on cleaning the gutters, servicing the fire pumps and working around the house and in the garden. It’s a very productive time of year in the vegetable garden with so much produce to harvest, preserve, cook, dry, bottle, vacuum seal. In March the fire danger is mostly over and we can relax and catch up on some music concerts and the Writers Festival.
We returned from Writes Week and WOMAD to find the garden gone mad and a lot of work needed to be done to get it all sorted out, cleaned up, weeded, mown, whipper snipped and mulched. I have it back in good shape now and most of the winter seeds and seedlings are planted for the approaching cold weather. Over summer, we don’t get into the pottery very much. Instead, it’s a time to use the heat for making clay, crushing rocks and ball milling porcelain stone, then drying that porcelain slip.
Now in April, we can start to think about firing the wood fired kiln again. The summer fire bans will soon be over and we can fire the wood kiln without restriction. We have been doing some firings. I have been firing our solar-powered electric kiln and reducing it with a few hundred grams of LP gas to get the reduced colours.
We have been back in the pottery for the past few weeks and started throwing again. I must say that the first couple of full days on the hard wooden seat of the “Leach” style wooden kick wheel leaves me with a couple of sore butt-cheek bones. I don’t think that they are bruised, but they sure get very tender after that first full day. It seems to take a week or so for them to toughen-up. Then I don’t notice it again till this time next year.
I bought some sericite stones back with me from my trips to the UK and Korea last year. These stones are now processed and aged sufficiently to be able to consider throwing them. I always think that this time it will be different. This time I will be able to throw something better out of this wet gravel. I can’t! Every time it’s the same, I start off so optimistic. I’m sure I will be better at it. I’m Not! The stuff is just wet rock dust, I shouldn’t be surprised. But I am!
I struggle with it as it is and refrain from adding any bentonite into the mix. I should just get over it and give in, but I really want to make something authentic. Something that has some meaning in this post-truth, bare-faced lying, compromised, new world order of shallow poseurs, where everything is The Image and The Selfie. I know that what I’m living here has no value to anyone else but me, I persist. It’s the life I’ve chosen. It’s a challenge to make a nice pot from these original porcelain stones. Picked from the ground, in-situ by my very own hands, carted off in my back-pack and then brought home here and processed in my own equipment. Maybe if I aged these bodies for a decade, then it would be easier? I’m certain that it would. I have already done those tests a lot earlier in my career. I know it works. However, I’m not too sure that I still have a decade left in me. I strike a compromise and decide to make some very small beakers and some coffee cups. Now, I can almost manage these OK.
Last year, my friend Len and I imported a tonne of Chinese sericite. I have been going to China each year and renting studio space, making work, getting it fired on site – with mixed results, and carrying the best pots back in my hand luggage, to show at Watters Gallery and elsewhere.
Last year I felt so guilty about my carbon miles, making work in this way that I decided to buy the milled sericite in bulk and ship it here, This way I can stay at home and the clay can log up the carbon miles. I feel that it ought to be less damaging environmentally to ship a tonne of milled sericite stone by sea, than fly my meagre 80 kgs to and from China in a plane. Any way, I buy my $400 worth of carbon credits, just the same each year, to appease my conscience for my carbon crimes.
Buying the material in bulk sounded like a good idea at the time, but like all the best laid plans…. The stuff that arrived was totally different from what we had thought that we had bought, or ordered at least. Back in the beginning, we purchased a sample of the sericite and tested it. It was difficult to work with, but OK. White, semi-plastic, just. It fired white and translucent. We ordered a tonne of that thank you very much!
What arrived was grey, short, very soft and soggy, difficult to throw with and split and cracked in drying. Totally different material. I couldn’t see us shipping it back. We had already paid in advance. I had to make it work somehow. I tried throwing it in the usual way that I have learnt to work, but I lost over 90% of my pieces. I took a while, but I thought it over and came up with what I thought was a cunning plan. I thought about the ancient Chinese and how they coped with the short-comings of their early sericite porcelains. This was just the same, only re-located over 600 years in time and 12,000 kilometres in distance. The old tried and true answers are usually the best.
I tried a small batch in a blend with something that I thought had exactly the right characteristics. Hey presto. I now have a way of making a unique white, translucent, Chinese sericite based, porcelain of my own making. It’s one answer. It works for me.
What I still find perplexing and inexplicable, is that Len has no trouble in making perfectly fine pots out of his batch of this stuff with no problems, while I struggle. Obviously this sericite stuff responds to the hands of a true master craftsman but dumbfounds and perplexes a blowhard wannabe like me.
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