It’s a dull overcast Sunday morning, so we decide to stroll over to the National Museum. On the walk it starts to shower a light sprinkle of rain. A good reason to spend half the day inside the temple of culture, keeping dry and warm. Unfortunately everybody else in Kyoto is thinking the same thing, only they seem to have set off much earlier than we did.

So, by the time we arrive at the museum in mid morning, there is a queue zig zagging back and forth across the quadrangle, like the ones that you have to wait in at the air port bag drop. Then the queue isn’t finished yet, it snakes out of the gates of the museum and meanders up the street. Right up the street! I can’t believe what I’m seeing. Fortunately, there are plenty of security on hand to direct the glacially slow passage of humanity up the street.

Just for our information, we decide to follow it all the way around the corner and into the big car park, were it does another airport style flail. We don’t bother to follow it in there, we’ve see enough. This will be at least a four hour wait in the rain.

It does make me ask myself, what is so important in there that all these people are prepared to wait so long to see. All we know from the posters, is that it is a show of some National Treasure items. I don’t know exactly what they are, but they must be important.

 

We decide to keep walking past the tail end of the queue. We’ll come back another day.

The Kawai Museum is just around the corner, so even though we have been there a number of times before, it’s still an interesting slice of history and there are some lovely pots displayed and some of the items are changed each time I’ve visited. I’m still impressed by the mans individuality and amazing creativity

 

 

 

 

It’s a beautiful old kiln. I’m still amazed that they were able to keep on firing it right up until the mid sixties, right in the heart of the city like that. The kiln has a longer history than just Kawai. I was told that Kawai inherited it from one of his teachers and then built his house in front of it. It was far too big for him to fill alone, so he rented out space in the kiln to other local potters. The kiln was fired on the same day in the month, every month. All the potters knew the date to turn up and fill their own pre-booked space. It provided Kawai an income, and the local potters a chance to get their work wood fired. The house he had built is not a typical Japanese house. It was designed by Kawai to reflect his particular taste and has some unusual features.

It’s lunch time by the time we finish up with Kawai. We walk up the chawanzaka street and start to look for a place to eat. Everything is so full that there are waiting queues out side. We keep on walking. We decide to head for the Museum of Cloisonné, up in the North of the city, so take the philosophers path that leads up in that direction. Everything is crowded and full. as we start to leave the shopping district We notice a sign in a very narrow ally. It looks new and I’m pretty sure that it   wasn’t there last year. Black painted Kanji on newly polished pine wood. It looks like the sort of sign that would indicate a restaurant. It’s in Japanese and I can’t read it literally, but I think that I can read its intension, so I walk up to investigate. It seems to lead to another little by-way and sure enough,  there is a new sushi bar. We go in. the chef welcomes us in. I ask how long he has been open and he tells us that he has only been here for one month. We order his sushi ‘set’ and a cold dry sake.

We are the only customers in the place. I don’t know how he is going to make a living. He seems a nice guy and the food and service were excellent. It was amazing to have the place to ourselves. The food starts to flow and continues. We spend a lovely hour chatting to him using charades, my very limited language and my phone translation app. He asks us where we are from and I tell him Australia. He replies, “Shiraz”!

I love os-torr-ray-re-a shiraz! We can only agree with him. So do we.

I ask if he has been there and he tells me No. But then goes on to tell me a very long wistful story that is in fast Japanese that I can’t follow. He’s a bit impassioned and speaks quite fast. He doesn’t realise that I can’t speak Japanese all that well – if at all, but I can sometimes work out what is going on around me after a week or so and I get my ‘ear in’ as it were. So now I think that he’s telling me that he wanted to travel, but there was the very long apprenticeship and this over-lapped with his marriage and then the kids came along, and now he has worked his way up to getting his own place! Life just Happens! I nod, Yes. I know!

Even though I don’t, but I think that I do.

 

 

 

We try two different medium dry sakés as we progress through his courses of culinary delights. It’s a really worthwhile simple pleasure and an hour of my life well spent. Before we leave, he offers us a very small chilled glass of a sweet fruity after-dinner style saké to finish the meal. Really great mouth-filling flavour mmm! It’s a very beautiful gesture and  gratefully received and appreciated. If you ever go to Kyoto. Go there! Support this guy. – If you can find him?

I’m very pleased when another couple come in just as we are about to leave. I’d hate to think of him waiting there in an empty shop.

We continue on our way to the Museum of Cloisonné on the other side of town. The rain is clearing, so we keep on walking. It takes us about an hour, but is a very pleasant affair. I’ve never been there before, but a quick glance at the map tells me that if I follow a series of interconnected canals and streams, or the roads that follow along them rather closely, it will take me there, or to within 100 metres. So we do and it does.

 

 

 

Along the way we get a few little glimpses of Sunday morning life in Kyoto’s back streets. There is a man down in one of the little streams along the way, that flows into the canal. He’s spending his morning cleaning out all the weeds and rubbish that have washed down during the week. Somehow, it is a nice warm feeling to see someone doing their ordinary civic duty. I appreciate his gesture, but can’t tell him. I wonder what people think when they drive past me on our dirt road and see me cleaning the gutters and picking up the MacDonald’s wrappers and beer bottles with my wheel barrow and shovel? The big difference is that I’m not doing any civic duty, I’m clearing the gutters because the water that will eventually flow down there when it rains, will end up in my dam. So I’m just being selfish. It’s not the same.

When they built this canal in Kyoto, someone thought to build in a small narrow set of stairs, so the locals can just duck down and access the water.

It is an interesting walk through a part of town that we hadn’t been before and really worthwhile. The cloisonné Museum is just where we expect it to be and we find it easily.

 

 

 Namikawa Yasuyuki was a very famous Cloisonné artist who lived and worked in Kyoto from 1868 to 1926. His museum is in his old house and is of the old-fashioned Kyoto style called ‘machiya’ . Namikawa became very wealthy from his work as he invented new styles of working and new techniques. I’m not particularly interested in Cloisonné, but I’m very impressed by the technical genius and level of skill. It’s hard to believe that this level of fine detail could have been achieved prior to the invention of oxy torches, plasma cutting and tig welding. As it turns out Namikawa didn’t actually do the manual work. He just designed it. He had a righthand man called Nakahara Tessen. He was the real genius! But as with all things, it’s a union that makes for a greater whole.

Still, I’m actually more interested in the garden. Namikawa had diverted the local small stream into his garden and had a pond built-in, under and around the house then through the garden. He was rather rich by his mid-career, he could afford it and had good sense of style and taste. It’s a beautiful space and a lasting credit to him.

I’m writing this up on Xmas day,  we spend a quiet day trying to restrain ourselves from doing any outside work. There is plenty that needs doing, but I put on clean clothes to stop my self from going down to the studio and working. We have a small restrained lunch of a small amount of cheese, some home-made hommus and beetroot dips, a few tomatoes and lettuce from the garden, toast and a glass of good red. Simple, fresh and wholesome.

I went out yesterday and while cleaning the gravel from the gutters to improve the road drainage, I decided to wheel barrow the spoils up to my neighbours place and I filled in two big holes in his drive way with the gravel. He doesn’t know it yet, but that job needed doing for a couple of years. As the holes grew bigger, deeper and filled with water. I thought, I should do something about that. So as my Xmas gesture to my neighbour. I go up and fill in the pot holes in his drive. That will be his xmas surprise, the next time he drives out.

Its a very quiet peaceful and non-commercial xmas.